What is afraid of the puddles, why are the accusers afraid of it Characteristics of the hero Luzhin, Crime and Punishment, Dostoevsky. The character image of Luzhin. Petr Petrovich Luzhin and his role in the novel Crime and Punishment

The novel by FM Dostoyevsky “Crime and Punishment” is “built,” as many readers believe, on the theory and its exposure of the protagonist Rodion Raskolnikov. But if you read the novel carefully, you can see that not only Raskolnikov has a theory. Something similar is owned by several more heroes. One of them is Luzhin Petr Petrovich.

Luzhin can not be attributed to the main characters, this is a secondary character, but he has a special role. Luzhin is the bearer of a certain "economic" theory - the theory of the "whole caftan": "love yourself ... for everything in the world is based on personal interest." It confirms the idea of \u200b\u200bhuman well-being at the expense of others, the main thing in life is money, a certain calculation, profit, career. By the way, the name Peter and also Petrovich, which has the translation “stone”, confirms the emptiness of the hero’s soul. His last name, Luzhin, limits him to the human vision of the world and is associated with a dirty puddle that annoys others.

The first acquaintance of the reader with Peter Petrovich takes place in absentia. We obtain a partial description of his person from a letter from Pulcheria Alexandrovna, mother of Raskolnikov, to his son. She represents Luzhin as a noble man and describes him only on the positive side: "he is a business and busy man ... cherishes every minute ... although a little education, but smart and, it seems, kind." But Raskolnikov already understands from a letter from his mother what kind of person he really is. When meeting with him, Rodion only affirms in his opinion: "To hell with this Luzhin! .."

Luzhin’s decision to marry Dun, Raskolnikov’s sister, is explained by his own theory. The damsel must be beautiful, intelligent, but poor to the extreme. Pyotr Petrovich will act as a benefactor, and this under these conditions is easy and noble. Dunya suited him in every way: "... such and such a creature will slavishly thank him all his life for his feat and will reverently be destroyed before him, and he will completely and completely reign supreme! .." Besides, at the expense of Dunya he I wanted to arrange my career. Luzhin came to Petersburg to open a law office, and in society "the charm of a lovely, virtuous and educated woman could surprisingly brighten his path, attract him, create a halo ..."

Luzhin turned out to be a mean, vain man and also a vile man. At the last meeting with Dunya and her mother (Raskolnikov was also present with his friend Razumikhin), all the pettiness of Luzhin's nature was revealed to those present. His lack of spirituality, love of money, but no more, finally opened her eyes to Duna, and she drove him away with the words: “You are low and an evil man!”

His act with respect to Sonya Marmeladova - “girls of notorious behavior”, as Luzhin put it - causes hatred among Raskolnikov, perplexity among Lebezyatnikov, horror among Sonya herself. For what purpose did he try to accuse Sonya of theft, which she did not commit? Looking for a new sacrifice for your "good deeds"?

The image of Peter Petrovich Luzhin in the novel is quite simple. F. Dostoevsky represented in it members of the society of that time, who got out of poverty and became masters at the expense of “whole caftans”. Priorities and values \u200b\u200brest on only one thing - money and power over the poor. There is no love, there is no soul, a stone heart, not capable of compassion and good for people.

Luzhin Petr Petrovich - type of businessman and "capitalist". He is forty-five years old. Stiff, hackneyed, with a cautious and obese physiognomy. Moody and arrogant. He wants to open a law office in St. Petersburg. Having gotten out of insignificance, he values \u200b\u200bhis mind and abilities highly, he is used to admiring himself. However, L. values \u200b\u200bmoney most of all. He advocates progress "in the name of science and economic truth." He preaches from foreign words, which he had heard from his friend Lebezat-nikov, from young progressives: “Science says: first of all, love yourself, for everything in the world is based on personal interest, it’s based ... Economic truth adds that the more private affairs arranged in society ... the more solid grounds are for him and the more common business is arranged in him. ”

Struck by the beauty and education of Dunya Raskolnikov, L. makes her an offer. His pride is flattered by the thought that the noble girl, who has experienced many misfortunes, will reverence him and obey him all his life. In addition, L. hopes that "the charm of a lovely, virtuous and educated woman" will help his career. In St. Petersburg, L. lives with Lebezyatnikov, with the goal of “just in case, running ahead” and “fawning over” the youth, thereby making sure against any unexpected demarches on her part. Expelled by Raskolnikov and feeling hatred for him, he is trying to quarrel with his mother and sister, provoke a scandal: during the commemoration of Marmeladov, he gives Sonechka ten rubles, and then imperceptibly shoves another hundred in her pocket to publicly accuse him of theft a little later. Exposed by Lebezyatnikov, forced to shamefully retire.

In the center of F. M Dostoevsky’s novel “Crime and Punishment” is the character of the hero of the sixties of the nineteenth century, a poor student of Rodion Raskolnikov. Raskolnikov commits a crime: he kills an old woman - a percussionist and her sister, harmless, ...

Roman F. M. Dostoevsky's “Crime and Punishment” is a socio-psychological. In it, the author poses important social issues that worried people of that time. The peculiarity of this novel by Dostoevsky is that it shows psychology ...

“Crime and Punishment” is a psychological and social novel. Moreover, human psychology and social consciousness are closely related, inextricable with each other. F. M. Dostoevsky shows the inner world of a person and the environment in which he is located, explores ...

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The novel by F. M. Dostoevsky “Crime and Punishment” was first published in January 1866. He was perceived by many as one of the greatest psychological novels in world literature. And since the publication of the novel, Dostoevsky has firmly established herself ...

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Luzhin Petr Petrovich - a business man of 45 years, "with a cautious and obtuse physiognomy." Stiff, sullen and arrogant. Breaking out of insignificance, he highly values \u200b\u200bhis mind and abilities, admires himself. Luzhin values \u200b\u200bmoney most of all in life, is interested only in them. But he wants to seem knowledgeable and progressive person. Therefore, Luzhin, according to his friend Lebezyatnikov, rants about the role of “science and economic truth” in human life. Luzhin, struck by the beauty and education of Dunya Raskolnikova, makes her an offer. His pride is flattered that such a girl will be grateful to him all his life. In addition, Luzhin believes that a beautiful and smart wife will contribute to the growth of his career. Luzhin hates Raskolnikov for opposing his marriage to the Danube. He is trying to quarrel Raskolnikov with his mother and sister. An unpleasant episode is associated with this hero in the novel: at the funeral of Marmeladov, he quietly puts one hundred rubles into Sonya’s pocket, and then accuses her of stealing. With the help of Raskolnikov, Luzhin is shamefully exposed.

The image of Luzhin

The novel "Crime and Punishment" was conceived by Dostoevsky at penal servitude. Then it was called "Drunken", but gradually the idea of \u200b\u200bthe novel was transformed into a "psychological report of one crime." Dostoevsky in his novel depicts the collision of theory with the logic of life. According to the writer, a living life process, that is, the logic of life, always refutes, invalidates any theory - the most advanced, revolutionary, and the most criminal. Therefore, life cannot be done according to theory. And therefore, the main philosophical thought of the novel is not revealed in a system of logical proofs and refutations, but as a collision of a person possessed by an extremely criminal theory with life processes that refute this theory.

"Double" Rodion Raskolnikov is Luzhin. He is a hero who succeeds and does not constrain himself in any way. Luzhin disgusts and hatred Raskolnikov, although he recognizes something in common in their life principle of quietly crossing over obstacles, and this circumstance tormentes even more conscientious Raskolnikov.

Luzhin is a business man with his own "economic theories." In this theory, he justifies the exploitation of man, and it is built on profit and calculation, it differs from Raskolnikov’s theory by selfless thoughts. And although theories of one and the other lead to the idea that you can "shed blood in good conscience," Raskolnikov’s motives are noble, heart-stricken, he is driven not only by calculation, but by error, "dull mind."

Luzhin is a straightforwardly primitive person. He is a reduced, almost comic double, compared to Svidrigailov. In the last century, the minds of many people were subject to the theory of "Napoleonism" - the possibility of a strong personality to command the fate of other people. The hero of the novel Rodion Raskolnikov became a prisoner of this idea. The author of the work, wanting to depict the immoral idea of \u200b\u200bthe protagonist, shows its utopian result in the images of the "doubles" - Svidrigailov and Luzhin. The establishment of social justice by violent means Raskolnikov explains as "blood of conscience." The writer further developed this theory. Svidrigailov and Luzhin exhausted the idea of \u200b\u200babandoning "principles" and "ideals" to the end. One lost the guidelines between good and evil, the other preaches personal gain - all this is the logical conclusion of Raskolnikov’s thoughts. It’s not for nothing that Luzhin’s selfish reasoning, Rodion replies: “Bring to the consequences that you preached just now, and it turns out that people can be cut.”

In his work Crime and Punishment, Dostoevsky convinces us that the struggle of good and evil in a person’s soul does not always end in a victory of virtue. Through suffering, people go to transformation and purification, we see this on the images of Luzhin and especially Svidrigailov.

“What happens if ..?” - an invariable formula that permeates all the work of F. M. Dostoevsky. The work "Crime and Punishment" is no exception. It is based on the so-called theory of "blood of conscience", in other words: "the end justifies the means." Another theory, not so large-scale, but nevertheless the theory that belonged to Luzhin, is exemplifying itself - exaltation of oneself due to the weakness of others. Ideas are not new, but only with Fedor Mikhailovich “these moral dilemmas” leave the boundaries of the abstract and are already solved in practice. So, what happens if you put one “tiny crime” on one side of the scales, vanity and pride, and a thousand good deeds on the other? What will outweigh? Or maybe the imbalance will go away, and both bowls will rise to the same level? We argue in an article on the theme "Luzhin (" Crime and Punishment "): characterization of the character."

The idea

In September 1865, a certain publisher of Russky Vestnik receives a letter from Wiesbaden. The fact, perhaps, is not particularly remarkable, if not for one or even two but ... The first - he writes to him Fyodor Mikhailovich Dostoevsky, and the second - he writes to him about the plan of his new novel. The idea of \u200b\u200bthe work, according to the author, is a “psychological report of one crime”. In other words, there lived a young man, the most ordinary, tradesman by origin, who, due to unfortunate circumstances, finds himself in extreme poverty. What to do? Whether by frivolity or by internal precariousness, but he succumbs to “unfinished” ideas floating in the air at that time and decides to kill one old woman-interest-bearer. The old woman is evil, vile, stupid and indecently greedy. Why should she live? Can she benefit anyone? The unequivocal answer “no” confuses the former student. He kills her and then robs him, so that with the “proceeds” money he will make himself and all those suffering happy and thus fulfill the “humane duty to humanity”. Well, the title of the subsequent book, Crime and Punishment, and the name of the main character, Rodion Raskolnikov, are quite guessed here. And now more about the novel itself, as well as about a character who has a very speaking surname - Luzhin Petr Petrovich.

First mention

So, Luzhin Pyotr Petrovich ... Who is he? What role did he play in the immortal novel of F. M. Dostoevsky? Answers to these and other questions will be given in this article on the topic: “The novel by F. M. Dostoevsky“ Crime and Punishment: The Image of Luzhin ”.

Mr. Luzhin is one of the most unpleasant, but famous heroes of the novel. Only one last name is worth it! For the first time, the reader gets to know him in absentia from a letter from Pulcheria Alexandrovna Raskolnikova to her son. She characterizes him positively: after all, he embraced Duna, Raskolnikov’s younger sister — a beautiful, strong, self-confident, intelligent, noble girl, but without any dowry. Like it or not, but a “feat” was made by a person. And here is a recent unpleasant incident: a bad rumor went about the Dune, but, thank God, everything was settled. So his sincere intervention in the fate of the poor girl is now doubly a feat, the most noble deed and deserving of all praises. How did she see him? Continuing the theme: “Luzhin,“ Crime and Punishment ”: characterization of the character”

Portrait

It looks very "beautiful and solid physiognomy." Posture is "exaggeratedly strict", dapper clothes, mainly colors of "bright and youthful", despite the fact that its owner was hit by as much as 45 years. However, he looked younger: his face was fresh, his hair was only a little gray, always carefully combed and curled by a hairdresser. On the whole, he made an impression of a man of little education, but smart, trustworthy, well-to-do, after all, he served in two places and was going to open his own business - a public law office in St. Petersburg. But this is only outwardly. And each coin has a downside. Luzhin also had it - mean, conceited, vile, petty, cunning. It was just that the discerning Raskolnikov saw her, despite the simple-minded words of her mother.

Luzhin, “Crime and Punishment”: Characteristic Character

Upon arrival in St. Petersburg, Luzhin went to visit Raskolnikov as a groom. He crossed the threshold with a sense of benefactor and with an undisguised desire to listen to as many sweet compliments addressed to him. Immeasurable vanity, an extreme degree of self-confidence or, rather, narcissism, played a bad joke with him. Having made his way "into people", having risen from insignificance, he was used to admiring his appearance, his mind, abilities, and it even came to the point that sometimes, in private, he looked at his face in the mirror. And he was extremely fond of money. Own, strangers, obtained in labor or in other ways - it does not matter, most importantly - their very presence. After all, they helped him to rise above their own kind and equated him with those who were higher than him. Well, the ground for matchmaking on the Danube is the most “fertile”. But there was something else ...

Crime and Punishment: Luzhin's Theory

This is Luzhin's theory. For a long time already, he dreamed of getting married, he saved all the money and waited. I did not expect love, not my soulmate, but a well-behaved girl, beautiful, educated and ... poor. The word “poor” was especially emphasized in the deepest secret, since such a girl must have experienced many misfortunes and troubles in her lifetime, she was frightened, and hence subsequently infinitely grateful to her deliverer. She will certainly “stare” before him, will be reverent, obey in everything and be surprised only to him. And then came the moment when everything coincided. There is a state, grandiose plans are being outlined for conquering the high society of St. Petersburg, and here Dunya is an ideal contender for the role of a beautiful, smart, but poor bride, and later on the humble and even obsequious wife of a successful husband. In his dreams, he already ruled over her soul and body, and suddenly! No! .. He received a "resignation." And from whom? From a poor student, an arrogant milkman - Rodion, who put him out of the doorway. He could not bear it. Wounded, he gathered all his indignation and immense anger and squeezed into a revenge ball. And he threw it not somewhere, but in the desired direction: she was falsely accused of stealing money, which he had also thrown into her pocket.

F. M. Dostoevsky about Luzhin

This is how Luzhin sees readers. “Crime and Punishment” (the characterization of the character is presented in our review very briefly) is a complex work. Its characters, theme and problems are not as simple as it might seem at first glance. To understand the essence, it’s not enough just to read a book. It will be useful to get acquainted with the works of critics, and look through the notes of the author himself. In draft materials for the novel by F. M. Dostoevsky, a lot has been said about Luzhin. Here is how the author describes the future character: he is incredibly conceited, in love with himself until coquetry, extremely petty, and has an irresistible passion for gossip. Among other things, it’s also greedy, and in this it has a certain resemblance to the hero of Pushkin - the Mean Baron. Attitude towards money is akin to idolatry, for everything is perishable, except for means. When a person has money, he is at the very top, he is the master! To him, no one will ever show disrespect, disrespect or neglect. So, money must be respected and praised ... Well, as the writer saw him from the very beginning, he appeared to the readers in this way.

In the novel Crime and Punishment, Fyodor Dostoyevsky presents a bright gallery of images to the reader’s court.

The main character is a poor student. To more deeply reveal the image of the protagonist, several more characters are involved in the novel, which are his moral counterparts. This is Luzhin.

Pyotr Petrovich Luzhin was introduced into the novel as the groom of Duni, Rodion's sister. Despite the considerable age difference: Duna is only 22 years old, and Luzhin is already about 45 years old, they are going to get married.

This gentleman has already reached enough high rankthan was incredibly proud. Having obtained the desired prosperity, Luzhin in every possible way focused his attention on this. Being a shallow person spiritually, he stuck out his position externally: with beautiful outfits, stiffness in his face. His clothes were, like a needle, sewn in youth fashion. She looked good on Luzhin, because he did not look at his age.

Outwardly, Mr. Luzhin was handsome and youthful. A fresh and quite beautiful face, a stately figure could still attract women. That's just his bride Dunya did not feel romantic feelings for him. She gave her consent to the wedding only for the sake of her relatives, in order to pull them out of the clutches of poverty. She reassured herself that Luzhin was a kind person.

Pyotr Petrovich did not immediately have a good place in society, but sought it from the bottom. This explains his demonstrative admiration for himself and his status. He loves money, is in their power. Being an extremely rational person, Luzhin values \u200b\u200bonly material benefits.

The hero is not very educated, but he can be called smart. A calculating mind helped him climb to the top of society. He is able to give the impression of a noble, noble lord. That is why Dunya agreed to marry him. She hopes that she will have respect and affection for Luzhin, if not love.

Petr Petrovich has his own theory of equality in society. He believes that thanks to money, he has the right to be considered equal to those who are higher in the social ladder. But, nevertheless, the hero expresses a clear disregard for those who are lower than him in rank. Luzhin wants to marry a noble, but not rich girl. Thus, she will be grateful to him, as her benefactor. He wanted with the help of a smart virtuous, but modest and unpretentious wife to achieve a higher position in society. Therefore, it seems to him a suitable bride.

The outward brilliance and demonstrative politeness of Luzhin quickly evaporate in the event of a conflict. He becomes like a sack of flour, loses all composure, showing his true essence.

The image of Peter Petrovich Luzhin is the image of an unworthy person, capable of any meanness for the sake of profit.