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Block nightingale garden analysis briefly. Analysis of the poem "Nightingale Garden" Blok A.A. Poem Analysis - The Nightingale Garden

The writing

There are two roads to the hero of the poem. One is labor, heavy and monotonous. Another is the love of a beautiful woman, the peace and charm of a nightingale garden. The hero leaves his miserable hut, the faithful assistant of the donkey and goes there, to the alluring nightingale garden. But very soon he realizes that happiness was there, on the rocky paths along which he walked with his donkey. The hero leaves a beautiful garden, a gentle lover, but late. There is already neither his hut nor his donkey, and another person descends along the path trodden by his feet.
The poem contrasts two themes. The first is everyday prosaic life, filled with content and action. The second is paradise life, without work and purpose. The text of the poetry consists of seven chapters. From the very beginning, the first topic arises, which, echoing the second, continues for three chapters. Already from the fourth chapter, the hero falls into the garden. Staying in the garden, the second theme, is devoted to only four stanzas. And then the first topic reappears, but this is not life, filled with content and action, but the result of being in the garden - loneliness, the meaninglessness of existence.
Behind the fence of the Nightingale Garden, the hero “breaks down layered rocks”, he has “a mind clouding from knowledge”, he “dreams of another life”. And in the nightingale garden the hero, "intoxicated with golden wine," "forgot about the rocky path."
When the hero’s stay outside the garden fence is described, “heavy” words are used: “drags”, “pieces”, “begins to scream”. And to describe the hero’s stay in the garden, gentle, romantic expressions are used: “nightingale tune”, “streams and sheets whisper”, “brooks sang”.
K. Chukovsky reproached A. Blok for "excessive sweet sounding" of the Nightingale Garden. But you can “justify” the poet. The description of the garden can only be "excessively sweet-sounding." Because such a life cannot be portrayed differently, a different description does not go to it.
The image of the sea plays a big role in the poem. The sea symbolizes everyday life, “rumble” is endless, hard work, noise, life. In the Garden of Eden, “the life of the curse” is not heard, but there is not even life itself. The hero is attracted back to his routine, because a person cannot be happy without work and purpose. In the pink chains, something turned out to be hopelessly lost; the “rumble of the sea” does not have the power to drown out the nightingale song.
The main idea of \u200b\u200bthe poem, I think, is precisely this.
To the hero’s question: “Is there a reward waiting for punishment, If I deviate from the path?” The block answers at the end of the poem. No wonder he gives in the poem a scene of a clash of crabs. This scene emphasizes the depth of the loneliness of the hero, which came due to the fact that he deviated from the path.
The nightingale garden poem is considered romantic. The period of writing this poem is a transitional period in the writer's work. The transition from symbolism to realism was reflected in the poem. There are many characters, even when describing real life, a lot of romance. But realism wins.

Analysis of A. Blok’s poem “The Nightingale Garden”

The poem contrasts two themes. The first is everyday prosaic life, filled with content and action. The second is paradise life, without work and purpose. The text of the poem consists of seven chapters. From the very beginning, the first topic arises, which, echoing the second, continues for three chapters. Already from the fourth chapter, the hero falls into the garden. Staying in the garden, the second theme, is devoted to only four stanzas. And then the first topic reappears, but this is not life, filled with content and action, but the result of being in the garden - loneliness, the meaninglessness of existence.

Behind the fence of the Nightingale Garden, the hero “breaks down layered rocks”, he has “a mind clouding from knowledge”, he “dreams of another life”. And in the nightingale garden the hero, "intoxicated with golden wine," "forgot about the rocky path."

When the hero’s stay outside the garden fence is described, “heavy” words are used: “drags”, “pieces”, “begins to scream”. And to describe the hero’s stay in the garden, gentle, romantic expressions are used: “nightingale tune”, “streams and sheets whisper”, “brooks sang”.

K. Chukovsky reproached A. Blok for "excessive sweet sounding" of the Nightingale Garden. But you can “justify” the poet. The description of the garden can only be "excessively sweet-sounding." Because such a life cannot be portrayed differently, a different description does not go to it.

The image of the sea plays a big role in the poem. The sea symbolizes everyday life, “rumble” is endless, hard work, noise, life. In the Garden of Eden, “the life of the curse” is not heard, but there is not even life itself. The hero is attracted back to his routine, because a person cannot be happy without work and purpose. In the pink chains, something turned out to be hopelessly lost; the “rumble of the sea” does not have the power to drown out the nightingale song.

The main idea of \u200b\u200bthe poem, I think, is precisely this.

To the hero’s question: “Is there a reward waiting for punishment, If I deviate from the path?” The block answers at the end of the poem. No wonder he gives in the poem a scene of a clash of crabs. This scene emphasizes the depth of the loneliness of the hero, which came due to the fact that he deviated from the path.

The nightingale garden poem is considered romantic. The period of writing this poem is a transitional period in the writer's work. The transition from symbolism to realism was reflected in the poem. There are many characters, even when describing real life, a lot of romance. But realism wins.

L. Delmas and A. Block

Among the many fans of the artists of the Theater of Musical Drama, who performed on the stage of the St. Petersburg Conservatory, was the poet A.A. A block that did not miss a single performance of the director Lapitsky.

The part of Carmen in the musical production of the same name was performed by the young singer Lyubov Delmas, who had recently returned from Paris, where she watched all the French Carmen. They disappointed her - they lacked the inherent impulse and fire inherent in this heroine.

Blok, not knowing anything about Love Delmas as a woman, a man, fell in love with Delmas Carmen. On January 14, 1914, he sends her a note: “I look at you in Carmen for the third time, and my excitement grows every time. I know perfectly well that I will inevitably fall in love with you as soon as you appear on stage. I am not a boy, I know this hellish torment of love, from which a moan is in the whole being and which has no outcome. "

On bad March evenings, the poet wandered along Officer Street near house No. 53, where his love lived, wondering where her windows looked, looking for an accidental meeting with her. Blok, as a gymnasium student, bought up photos of the singer, sought to meet her. Their paths often crossed. Either he saw the actress at the poster on the Officers', then in the music store, where she bought notes. Lyubov Alexandrovna also constantly felt his presence. But neither they dared to meet.

Blok spent two weeks in a limp, “blissfully stupid” state. But during these two weeks of crazy spring love, the poet created the Carmen cycle - poems about the all-conquering passion of love leading to a world where even the hands that touch her shoulders sing. Scary love, bought at the cost of life.

The heroine of this lyric cycle of poems was she, the soloist of the Musical Drama Theater L.A. Delmas.

The angry gaze of colorless eyes.
Their proud challenge, their contempt.
All lines - melting and singing.
So I met you for the first time.
On the ground - night. You can’t breathe.
The breastplate is black close, close ...
And a pale face ... and a strand
Hair falling down low ...
Oh, not the first time weird encounters
I experienced a dumb eerie! ..

Finally they meet. The whole Petersburg spring of 1914 was filled at Blok with thoughts about Delmas, meeting with her. An expressive verbal portrait of the actress of that time was painted by M.A. Beketova, aunt of the poet: “Yes, the great attractive power of this woman. The lines of her tall, flexible camp are beautiful, the magnificent golden fleece of her red hair, charmingly irregular, changeable face, irresistibly attracting coquetry. And at the same time talent, fiery artistic temperament and voice, so deeply sounding on low notes. In this captivating appearance there is nothing gloomy or heavy, on the contrary - it is all sunny, soft, festive. From it breathes mental and bodily health and infinite vitality. "

The lovers had many meetings. Both lived in the old Kolomna, on the Officer’s, they called it “our street”. Here everyone had their favorite places. One of them is the Bridge over the river Buckle, visible from the windows of the Block's apartment. The poet jokingly called him the "Bridge of Sighs."

In the middle of the summer of 1914, the First World War began. The life of Petersburgers, including Blok, has changed dramatically. Anxiety and worries gradually extinguished the love feelings of this beautiful and talented couple.

On August 17, 1914, Blok sent Lyubov Alexandrovna his photo and letter: “I don’t know how it happened, that I found you, I don’t know what I’m losing you for, but it’s obvious that it’s necessary. It is necessary that the months stretch into years, it is necessary that my heart is now shed with blood, so that I am experiencing now what I have never experienced, as if I were losing the last earthly thing with you. Only God and I know how much I love you. A. B.

Let me add what you yourself know: your it’s decisive over me, and I confess to my defeat because you turned my whole life upside down and held me captive for a long time in a happiness that is beyond my reach. ”

When Blok’s poem “The Nightingale Garden” comes out of print, in which the hero, who has forgotten his duty, finally leaves this paradise of love and returns to his old shack, the poet will present it to Lyubov Aleksandrovna Delmas with the inscription: “The one who sang in Solovyin the garden. "

Alexander Blok and Lyubov Delmas will forever lose each other. How insanely melancholy and piercing the words recorded by the poet sound on this occasion: “My God, what a frenzy that everything in the world passes, nothing lasts forever.”

A.A. Block. Photo of 1916, donated by L.A. Delmas before breaking up

In the poem “The Nightingale Garden” (1915), A. Blok raises the most important moral and philosophical problems of duty and loyalty to him, love and the right to happiness, the purpose of art and its place in it.

The title of the poem “The Nightingale Garden” is already significant. It turns us to many sources. Firstly, to the Bible: the Garden of Eden, the paradise of the earth, from where God drove out Adam and Eve, and since then people in hard work have to get their daily bread. Secondly, the image of the garden as a symbol of beauty, unattainable happiness, temptation appears in Russian folk and oriental tales.

In Blok's poem, the image of the garden is ambiguous. A garden is both an image of happiness unattainable for a person, and an image of an alluring dream, and a selfish life path when a person lives only with his love in his small personal world, and an image of art for art, devoid of any civic interests. The Nightingale Garden is a kind of test, the temptation of the hero, which is found in the life of every person. The poem shows the tragic gap between a person’s craving for happiness and beauty and a sense of duty, a consciousness of the inability to forget about the “terrible world”. / Find in the text a concrete-subject characteristic of the image of the garden and reveal its generalized-symbolic meaning /.

The poem’s composition is symbolic: 7 parts and a ring construction of the work

(starts and ends on the seashore) / What does this mean for understanding the idea of \u200b\u200ba work? Why is the narration conducted in the first person?

The narration is conducted in the first person, which gives the work the character and intonation of confession, a sincere and sincere story about the experience ..

Consider the chapters of the poem carefully, paying particular attention to its images, symbols and vocabulary.

The first part can be called the introduction, in which certain facts of the life of the lyrical hero are reported: every day the lyrical hero with his donkey does hard work / what is the meaning of the work he performed?/ and their path passes by a beautiful garden. The narrative is based on contrast: the ultimate realism (the work of the lyrical hero and the donkey) is combined with fairy tale, mystery (description of the garden); a prosaically reduced picture of heavy joyless labor and the beauty and poetry of the nightingale garden. The epithets of the real world contrast with the epithets depicting the garden:

Donkey is present in all chapters except the fourth. He is always “tired” and “poor”. On the one hand, a donkey is a symbol of the real world, low reality. On the other hand, this is the image of an assistant who helps the hero do dirty, difficult work, and then with his cries reminds him of the abandoned work path, of duty. In the Bible, the donkey was one of the first among animals to recognize Christ and at the same time represents obedience. This does not contradict the Blok image: everyone must go his own way, without deviating to the end, no matter how difficult he is. And the reward awaits the one who does it. Balaam, sent to curse the Israelites, did not see the angel of God, and his donkey saw, helped Balaam see and believe. It seems to me that in the poem of Blok, the donkey helps the hero return to the right path - the path of a hard worker. True, when the hero returns, he does not find his donkey, but this is a punishment for apostasy, for abandonment of previous ideals, from the destined from above the path. In Apuleius’s novel “The Golden Donkey, or Metamorphoses”, Lucius was turned into a donkey by the maid’s servant and, in order to restore his human appearance, he ate roses. I think that the donkey of Apuleius has a different meaning than that of Blok. / What do you think? /

All images, symbols, and other means of artistic depiction of the poem are subordinated to the basic idea. So, the sound image creates a surf (rumble of the sea), the cry of a donkey. These sounds contrast with the “nightingale tune,” with a song in the garden.

... Not only space is symbolic (seashore, road), but also time: the action begins in the evening, at the end of the working day (“at low tide,” “the blue haze falls”), and ends in a new morning.

... The mystery of the garden is emphasized by the use of indefinite pronouns: “Something”, “someone”.

... A haze motif arises that passes through the whole poem (except for chapter 4) in the same way as the image of a donkey.

In the second part, the hero is in thought (“thought”); the possibility of another life arises: “another life is dreaming - mine, not mine ...”. A consciousness arises of the futility of the present existence:

And why in this cramped hut
I, poor poor, waiting ...

The contrasting image of the life of the poor and the “ringing garden” continues:

The symbolism of color traditional for the Block also matters here: a white dress is a hint of the possibility of contact with the ideal, its implementation, blue, as it were, predicts the collapse of the ideal, disappointment in it.

The hero is tormented by doubts; he does not immediately respond to “whirling and singing”:

Every evening in the sunset fog
I walk past this gate ...

The space also changes: the garden is surrounded by a wall (enclosed space). If we compare it with the sea, symbolizing life, the elements, but at the same time freedom, we will see its absence in the garden: “the fence is high and long”, “wall”, “lattice ... carved”.

It's almost night. The garden can give rest from everyday life.

... In this chapter, the image of the Beautiful Lady is more clearly outlined: “white dress”, “she is light”, “beckoning”, “calling”, that is, this image is given in the manner traditional for the Block.

The garden is called “ringing”: a nightingale song sounds, She sings. The musiclessness for the Bloc is a sign of spirituality, the deadness of the world.

The lyrical hero is intoxicated by sounds, is about to leave the real world in a fairy-tale, mysterious and beautiful, where the whirlpool attracts him, the song calls. “ And in the inviting lace and stump, I catch something forgotten ”-obviously, here is the memory of the dreams of youth, the expectation of high love, the belief that it is the meaning of life.

In the third part, the hero, not having yet visited the garden, begins to love the nightingale garden.

At night, “a burnt donkey rests,” “a crowbar is cast in the sand under a rock,” and the hero, in love, wanders around the garden. Under the influence of dreams about the garden, even the usual road, everyday work seems mysterious: “And the familiar, empty, rocky, but today - the mysterious path.” For him, in love, everything around was transformed. The hero, wandering in the dark, not noticing how time goes, keeps returning “to the shady fence, Escaping into the blue dregs.” It is no accident that here again the blue color is a symbol of collapse, betrayal. Word "blue"assigned to a noun “Haze”, as if reinforcing the uncertain perspective of the decision. But even before the last step towards the unknown future of the hero, there are doubts about what awaits him in the nightingale garden: “Does punishment await, or reward, If I deviate from the path?” This is a matter of moral choice: duty or personal happiness, what is happiness, is it possible to “evade” the chosen path with impunity, is it possible to change one’s vocation? In the poem road, rocks, garden, hard, exhausting work, donkeynot only life realities, but have a generalized symbolic meaning. This is accordingly the road of life, its hardships, a dream, an ordinary, ugly side of life. Sooner or later, each person faces the question of loyalty to the chosen path, despite all the difficulties, or the search for a more beautiful and easy road.

The fact that a struggle is taking place in the hero’s soul is emphasized by the repetitions: "Languor", "weary", "languor is all hopeless." And the hero abandons his past, the path of the laborer, he is completely dominated by dreams of the garden and “deviates from the path”.

The central part in the composition of the poem is the fourth, in which the hero enters the garden.

... The garden does not disappoint the lyric hero: the “cool road” (after the heat), lilies (the Flower of the Beautiful Lady in Blok’s early poetry, and the Bible’s attribute of the Virgin Mary, symbolizing her purity) on both sides of the road, “sang streams”, “sweet song the nightingale. " He experiences “unfamiliar happiness”; the garden even surpassed the dream of the beautiful

(“Poor dream”). And the hero forgets about his former path: “I forgot about the stony path, about my poor comrade.” These words sound condemningly. But this happens under the influence of “golden wine,” under the influence of passion ( “Gold scorched by fire”), because her arms opened “A foreign land of unfamiliar happiness.”

But in the fifth chapter we see that the hero has doubts about the correctness of the decision made, and again there appears a motive of darkness. “The wall sunk in roses” and “nightingale song” cannot drown out the rumble of the sea, the noise of real life: anxiety brings “the roar of waves”, “the soul cannot hear the distant noise of the tide”. The hero went into the garden in the evening, at low tide, and in chapter 5, the sound of the tide is heard. The lyrical hero begins to torment remorse. Love and the pursuit of happiness took him away from life, but everyday storms and anxieties found him, the duty reminds himself. . “And suddenly - a vision: a long road and a tired donkey tread.” Man was born for a life full of labor, struggle, patience; he cannot live long in the artificial world of Love, Happiness, fenced off "from dolgy grief." It is no accident that the beloved is “in the darkness of incense and sultry” and the garden is in the darkness.

The sixth chapter tells of awakening (“I woke up in the misty dawn”, “enchanted dream” was interrupted) and flight from the garden, while my beloved is still sleeping. / Why does the hero escape from the nightingale garden? / Moreover, morning comes to replace the night on the shore, and there is no time in the garden (as in a dream or in something completely unreal, fabulous; or maybe you can only be happy in a dream?) The hero hears “distant and measured blows” of the tide, The “roar of the surf,” the “mournful cry” of a donkey, long and drawn out, is all a manifestation of real, real life, filled with hard, dirty, debilitating, but necessary work for people. Fulfillment of human and civil duty above personal Happiness, fenced off from the storms of life by a wall covered with roses.

The hero escapes from the enchanted garden through the fence, but the roses try to keep him:

And going down the fence stones
   I broke the flowers of oblivion.
   Their thorns are like arms from a garden
   Clinging to my dress.

Roses are the most important symbol of dreams, happiness, without which the existence of the nightingale garden is impossible: “Along the fence ... of extra roses, flowers hang to us”, “and prickly roses today fell under the dew of thirst”, “a wall drowned in roses”. In Greco-Roman mythology, a rose is a flower of Aphrodite, symbolizing love. In this sense, the rose has become a traditional symbol of romantic poetry. Roses also bloomed in the Garden of Eden, but they had no thorns. In medieval courteous culture, a maiden was surrounded by a rose garden: plant thorns protected the chastity of the bride. / What is the meaning of the rose in the poem? / Blok has a different meaning for the rose: it is a symbol of empty illusions, an element of beauty, and not of true beauty. The same can be said about the image of the nightingale. In romantic poetry, this is a symbol of real art, in which external ugliness is opposed to inner beauty and talent. At Blok, the nightingales sing in the enchanted garden: “The nightingale's chorus does not cease”, “in the nightingale's ringing garden”, “they stunned me with a sweet song, the nightingales took my soul”. But their song is part of an alluring pipe dream, temptation, temptation. It is opposed to the cry of a donkey and the rumble of the sea, which symbolize life with its anxieties, work, worries, and is weaker than them:

Drown out the rumble of the sea
The nightingale song is not free.

It is no accident in the poem, starting with the fourth chapter, we are talking about the soul: “Nightingales took my soul”, “the soul cannot hear the distant noise of the tide”, “the donkey's cry was long and long, penetrated my soul like a moan. "Initially, the hero shows weakness, succumbs to temptation, and the nightingales took possession of his soul.

In the seventh, final, chapter, the hero returns to his former path (“familiar”, “short”, “siliceous and hard”), but he was late. The days spent in the garden turned into years. “Deserted shore”, no home. Once “abandoned crowbar, heavy, rusty, covered with wet sand under a black rock”. And “a worker with a pickaxe chasing another's donkey” descends towards him along a well-trodden path. The hero is experiencing confusion - this is the reckoning for a temporary betrayal of duty. His place as a laborer is occupied by another - he has lost his place in life. This is both punishment and retribution. The poor man broke the covenant given to man from above: in the sweat of his face, to get his daily bread, to walk along the stony path of life, on which he will find anxieties, hardships, hard and exhausting work.

The ring arrangement shows that life goes on. And the hero as a result does not run away from life, but into life. Rough life is stronger than dreams. / Is it possible for the hero to return to the nightingale garden? /

As already noted, the poem is built on contrast, which emphasizes the struggle between real life and the world of ideal beauty, or rather, even beauty. On the one hand, it is a poem about the meaning of life, about the choice of one’s life, about moral values \u200b\u200band guidelines in this life. On the other hand, there is a lot of autobiographical in the poem, and it can be considered as a poetic confession about your creative path. When Blok sang the Beautiful Lady, he did not hear the “roar” of real life; he was fascinated only by the idea of \u200b\u200bpriestly service to the ideal of Eternal Femininity. But soon the poet refused this, chose the path of a worker. It is no accident that in the same years when Blok worked on the poem, he wrote the following lines:

Yes. So dictates the inspiration:
   My free dream
   Everything clings to where humiliation
   Where there is dirt, and darkness, and poverty.

And on May 6, 1914, the poet wrote to L. A. Delmas: “Art is where there is damage, loss, suffering, cold.”

Bibliography

A.A. Block Favorites, M., ed. The Truth, 1978.
I.E. Kaplan “Analysis of the works of Russian classics”, M., ed. “The New School,” 1997, pp. 28–34.
B.S. Lokshina “Poetry of A. Blok and S. Yesenin in school studies”, St. Petersburg, ed. The company "Verb", 2001, p. 48-57.
Dictionary of Symbols in Art, M., AST Astrel, 2003.
Literature lessons in grade 11. A book for the teacher. Lyric A.A. Block.

Poem Analysis - The Nightingale Garden

The main idea of \u200b\u200bthe poem, I think, is precisely this.

To the hero’s question: “Is there a reward waiting for punishment, If I deviate from the path?” Answers at the end of the poem. No wonder he gives in the poem a scene of a clash of crabs. This scene emphasizes the depth of the loneliness of the hero, which came due to the fact that he deviated from the path.

Analysis of A. Blok’s poem “The Nightingale Garden”

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