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Valentin Gaft - biography, photo, personal life of the actor. Gaft Valentine: Biography and personal life Gaft personal life children

Valentin Iosifovich Gaft. Born September 2, 1935 in Moscow. Soviet and Russian theater and film actor. People's Artist of the RSFSR (1984).

Valentin Gaft was born on September 2, 1935 in Moscow, in a Jewish family of immigrants from the Poltava province (Priluki).

Father - Joseph Rufimov Gaft (1907-1969), a veteran of World War II, worked as a lawyer in the Legal Advice on Leningradsky Prospekt.

Mother - Gita Davydovna Gaft (1908-1993), was a housewife.

Even at school, Valentine began to participate in amateur performances, played in school plays. I decided to enter the theater school secretly and applied immediately to the Shchukin school and to the Moscow Art Theater School. By chance, two days before the exams, Gaft met the famous actor Sergei Stolyarov on the street and asked him to “listen” to him. Stolyarov, although surprised, did not refuse, and even helped with advice.

Valentin Gaft passed the first round in the Schukin school, but did not pass the second. However, he entered the Moscow Art Theater School on the first attempt, passing the exam "excellent".

In 1957 he graduated from the Moscow Art Theater School-Studio, the workshop of V.O. Toporkov. He made his debut on the stage of the Mossovet Theater, receiving recommendations from D.N. Zhuravlev, among his works: The second detective (input) - “Lizzy McKay” based on the play by J.-P. Sartre, The Virtuous Whore; King Lear by William Shakespeare; Son - “Cornelia” based on the play by M. Chorcholini; Bunny - “Favorable Groom” based on the play of the Tour brothers.

In 1958 he played on the stage of the Satire Theater: Scientist - “Shadow” based on the play of the same name by E. Schwartz.

Then he served in the Moscow Drama Theater, played in the performances: "The fruitless efforts of love"; “The Third Head” based on a play by Marcel Aime; Tom - “Barba” based on the play by Y. Masevich; Goga - “Argonauts” based on the play by Yu. Edlis; “Alive Man” by V. E. Maksimov; "Visit of the lady" F. Durrenmatt.

In the years 1965-1966 - actor of the Theater. Lenin Komsomol: Evdokimov (input) - “104 pages about love” based on the play by E. Radzinsky; Marquis d’Orsigny - “Moliere” based on the play by M. Bulgakov.

After some time he moved to the Theater on Malaya Bronnaya, among his works: Solyony Vasily Vasilievich, staff captain - “Three Sisters” based on the play by A. P. Chekhov; Kolobashkin - “The Seducer Kolobashkin” based on the play by E. Radzinsky.

Since 1969 - actor of the Sovremennik Theater.

Works by Valentin Gaft in the Sovremennik Theater:

1970 - Aduev Sr. (introduction to the role of M. Kozakov) - “An Ordinary History”, staged by V. Rozov based on the novel by I. A. Goncharov, director Galina Volchek;
1970 - Steklov-Nakhamkes (introduction to the role of M. Kozakov) - “Bolsheviks”, based on the play by M. Shatrov, directors Oleg Efremov, Galina Volchek;
1971 - Martin - “His Island”, based on a play by R. Kaugver, director Galina Volchek;
1971 - Gusev - “Valentine and Valentine”, based on the play by M. Roshchina, directed by Valery Fokin;
1973 - Glumov - “Balalaikin and Co.”, a play by S. V. Mikhalkov based on the novel “Modern Idyll” by M. E. Saltykov-Shchedrin, directed by Georgy Tovstonogov;
1973 - Zhgenti - “Weather for Tomorrow”, based on the play by M. Shatrov, directors Galina Volchek, I. Raichelgauz, Valery Fokin;
1974 - Lopatin - “From the notes of Lopatin”, based on the play by K. Simonov, director I. Reichelgauz (there is a TV version of the play);
1976 - Firs - “The Cherry Orchard”, based on the play of the same name by A. P. Chekhov, director Galina Volchek;
1977 - Kukharenko - “Feedback”, based on the play by A. Gelman, directors Galina Volchek, M. Ali-Hussein;
1978 - Henry IV - “Henry IV”, based on the play by L. Pirandello, director Lilia Tolmacheva;
1980 - Gorelov - “Hurry to do good”, based on the play by M. Roshchin, director Galina Volchek;
1981 - Louis XIV - “The Cabal of the Holy One”, based on the play by M. Bulgakov, director Igor Kvasha;
1982 - Vershinin - “Three Sisters”, based on the play by A. P. Chekhov, director Galina Volchek;
1983 - Gorodnichy - The Inspector General, based on the play by N. V. Gogol, directed by Valery Fokin;
1984 - George - “Who's Afraid of Virginia Woolf?”, Based on the play by E. Albee, directed by Valery Fokin (there is a TV version of the 1992 play);
1986 - "Dilettantes" - the author’s evening of theater artists;
1988 - Boston - “Chopping Block”, based on the novel by C. Aitmatov, director Galina Volchek;
1989 - Rakhlin - “Domestic Fluffy Cat”, based on the play by V. Voinovich and G. Gorin, directed by Igor Kvasha;
1992 - Leiser - “Difficult People”, based on the play by J. Bar-Josef, directed by Galina Volchek;
1992 - Miranda - “Death and the Virgin”, based on the play by A. Dorfman, director Galina Volchek;
1994 - Higgins - “Pygmalion”, based on the play by B. Shaw, director Galina Volchek;
1998 - Kukin - “Accompanist”, based on the play by A. Galin, director Alexander Galin;
2000 - Valentine - “Go away, go away”, based on the play by N. Kolyada, director Nikolai Kolyada;
2001 - Glumov - “Balalaikin and Co.”, a play by S. V. Mikhalkov based on the novel by M. E. Saltykov-Shchedrin “Modern Idyll” (2nd edition), directors V. Gaft, Igor Kvasha, Alexander Nazarov;
2007 - He - “Hare love story”, based on the play by N. Kolyada, director Galina Volchek;
2009 - Stalin - “Sleep Gaft, retold by Viktyuk”, based on the play by V. Gaft, director Roman Viktyuk;
2013 - Weller Martin - “The Game of Gin”, based on a play by Donald L. Coburn, directed by Galina Volchek.

In 2001, Gaft's directorial debut took place on the stage of Sovremennik. Together with I. Kvasha and A. Nazarov, he resumed the play “Balalaikin and Co.”, based on the novel by M. Saltykov-Shchedrin, where again, like a quarter of a century ago, he played the role of Glumov.

He made his film debut in 1956 in the film “Murder on Dante Street” (as one of the episodic killers).

Success came to Valentin Gaft thanks to the collaboration with the director. The actor was called one of Ryazanov's most beloved artists. In 1979, the comedy "Garage" was released, in which Gaft played the chairman of the garage-building society Sidorkin, and the phrases of his hero went to the people.

Valentin Gaft in the movie "Garage"

In 1980, Ryazanov’s vaudeville “About the poor hussar put in a word” was released, where Valentin Iosifovich played Colonel Pokrovsky.

Valentin Gaft in the film "On the poor hussar, put in a word"

In 1987, the wonderful comedy melodrama “Forgotten Melody for the Flute” appeared, where Gaft brilliantly portrayed the official Odinkov. In the early 1990s, viewers saw Valentin Iosifovich as president of the homeless intellectuals in the film parable "Promised Heaven." In the late 1990s, the actor played the general in Ryazanov’s tragicomedy “Old Nags”.

Valentine Gaft in the movie "Promised Heaven"

Among other notable works - roleplayer Brasset in Titov’s comedy “Hello, I’m your aunt!”, Apollon Mitrofanovich Sataneyev in the comedy “Wizards”, in the New Year’s fairy tale “Kazan Orphan” by Vladimir Mashkov, in the film by Peter Todorovsky “Anchor, More Anchor!”, where he played Colonel Vinogradov.

Valentin Gaft in the movie "Anchor, More Anchor!"

Valentin Gaft is an epigram master.

Gaft auto-epigram:

Gaft swept so many
   And in the epigrams he ate alive.
   He filled his hand in this matter,
   And we will fill the rest.

Epigrams about Valentine Gaft:

Gaft has no mind a gram
He all went to epigrams. ( Mikhail Roshchin)

Gaft is neither a device nor a figure,
   Not a town in the remote taiga.
   Gaft is an abbreviation:
   In short, something on Ge ... ( Mikhail Roshchin)

To the gaft? Epigram?
   Well, I do not!
   After all, you can’t hide from him anywhere.
   And Gaft, although he is an actor, not a poet,
   So it prints that you won’t wash off ... ( Alexander Ivanov)

Socio-political position of Valentin Gaft

In January 2010, Valentin Gaft joined the group of famous Russian cultural figures, among whom were Elena Kamburova, Sergey Yursky, Inna Churikova and Andrei Makarevich, who asked the authorities to introduce the post of Commissioner for Animal Rights.

In 2015, the Ministry of Culture of Ukraine included Gaft in the so-called “white list” of artists who “support the territorial integrity and sovereignty of the country.” The actor associated this fact with the publication on the network on his behalf of poems with criticism of the Russian authorities, whose authorship he denied. Later in an interview, Valentin Gaft called himself "Putin." He said that he trusts Russian television and the state, considers the transfer of Crimea to Ukraine to be unfair, and blames Kiev for the war in the Donbass. After that, the artist was included in the list of persons posing a threat to the national security of Ukraine.

“It’s just insulting and disgusting, because it’s not a way to fight. Ukraine needs to be smarter, not prohibit paintings, no matter who makes them. They found something there that makes them ashamed, some truth to themselves, ”Gaft said in response.

Valentin Gaft in the program "Temporarily available"

Growth Valentine Gaft: 187 centimeters.

Personal life of Valentin Gaft:

He was married three times.

The first wife is fashion model and artist Elena Izorgina. The marriage quickly broke up - Izorgina fell in love with film expert Dal Orlov.

The second wife is ballerina Inna Eliseeva. According to the artist, Inna was a housewife married to him, her parents belonged to the party elite. Gaft divorced Eliseeva in the early 1980s. They had his only daughter Olga born - she committed suicide in 2002, which was a huge shock for the actor.

The third wife is an actress. We met on the set of the Ryazanov comedy "Garage", but the relationship began much later. Married since 1996. Valentin Gaft from the age of 10 raised a son of an actress from a previous marriage of Mikhail. Under the influence of his wife, he was baptized into Orthodoxy.

Valentin Gaft and Olga Ostroumova

The actor has an illegitimate son Vadim. He first saw him on a talk show on Channel One in October 2014. He was born by Moscow artist Elena Nikitina. They met when he was not yet a superstar at one of the theatrical evenings. Like each other, started dating. But when Elena became pregnant, Gaft left and disappeared from her life. And three years later they accidentally met on the street. Elena said that she gave birth to a son, whom she named Vadim. Valentin Iosifovich asked for a photo of the boy, hid it in the inside pocket of his jacket ... And a year later, Elena and her little son and mother flew to Brazil, where her sister, who married a foreigner, settled.

Vadim, who followed in the footsteps of Gaft and works as an actor in a Brazilian theater. Then Vadim said that Gaft has a grandson, Valentin, who was born with him on the same day.

Filmography Valentin Gaft:

1956 - Murder on Dante Street - Rouge
1958 - Oleko Dundić - Serbian soldier
1960 - Russian souvenir - Claude Gerard, French composer
1960 - Normandy Neman - Millet
1961 - Submarine - Jim Temple
1965 - We, the Russian people - Boer
1966 - Two years over the abyss - an officer in a restaurant
1967 - First courier - gendarme officer
1968 - Intervention - A Long, French Soldier
1968 - New - Konstantin Fedorovich, national team coach
1968 - Caliph Stork - Kashnur, the wizard
1969 - Wait for me, Anna - clown
1969 - Family Happiness (movie almanac, short story “The Avenger”) - a clerk in an arms store
1970 - The Amazing Boy - Dr. Capa
1970 - Road to Ryubetsal - Apanasenko
1970 - About love - Nikolai Nikolaevich, husband of Vera
1971 - Night on the 14th parallel - Dmitry Stepanov
1971 - Allow Take Off! - Azancheev
1971 - The Man on the Other Side - Andrei Izvolsky
1971 - Conspiracy - Casey
1973 - Seventeen Moments of Spring - Gövernitz, Dulles Officer
1973 - Cement - Dmitry Ivagin
1974 - Tanya - German Nikolaevich Balashov
1974 - The Lot - Innocent Residents
1974 - Ivan da Marya - Treasurer
1974 - Moscow, my love - choreographer
1974 - The Miracle with Pigtails - Interlocutor
1975 - Olga Sergeevna - Troyankin
1975 - Hello, I'm your aunt! - Brasset, butler
1975 - For the rest of his life - Kramin, paralyzed junior lieutenant
1975 - From the notes of Lopatin - Lopatin
1976 - Raging Gold - Horace Logan
1976 - Day train - Igor
1976 - A Tale of an Unknown Actor - Roman Semenovich Znamensky, Director
1977 - Girl, do you want to act in films? - Pavel, director
1977 - Almost a funny story - a fellow traveler on a train, a supply agent
1977 - Struggle in a snowstorm - robber-recidivist Alien
1978 - Centaurs - Andres, conspirator
1978 - Kings and Cabbage - Frank Goodwin, The Kid
1978 - Players - Stepan Ivanovich Comforting
1979 - Garage - Valentin Mikhailovich Sidorin, chairman of the garage cooperative, veterinarian
1979 - Men and Women - George
1979 - Today and Tomorrow - Pickles
1979 - Morning tour - Alik
1979 - Circus - Georges
1980 - Say a word about the poor hussar - Colonel Ivan Antonovich Pokrovsky, commander of the cavalry regiment
1980 - Black Chicken, or Underground - Deforge, French teacher / King
1980 - Three years - Yartsev
1982 - If the enemy does not surrender ... - Stemmermann, German general
1982 - Adventures of Count Nevzorov - text from the author behind the scenes
1982 - Saturday and Sunday (short) - psychologist
1982 - Customs - Vladimir Nikolaevich Nikitin, head of the inspection team
1982 - Wizards - Apollon Mitrofanovich Sataneev, Deputy Director of the Institute of NUINU
1983 - Vertical Racing - Lyokha Dedushkin, recidivist thief named Baton
1984 - Eight Days of Hope - Igor Artemievich Belokon, Director of the Mine
1985 - Contract of the Century - Smith, CIA agent
1985 - About the Cat ... - The Eater
1986 - Year of the Calf - Valerian Sergeevich
1986 - My dearly beloved detective - Leicester, Inspector
1986 - Along the main street with an orchestra - Konstantin Mikhailovich Vinogradov, musical arranger
1986 - Fuete - Poet
1987 - Forgotten tune for flute - Lonely
1987 - Travel of Monsieur Perrishon - Major Mathieu
1987 - Visit to the Minotaur - Pavel Petrovich Ikonnikov, employee of the serpentarium
1987 - Time to Fly - Victor
1987 - The Life of Klim Samgin - Valery Nikolayevich Trifonov, Drunk Officer
1988 - Thieves in Law - "authority" Arthur
1988 - Aelita, do not bother men - Vasily Ivanovich Skameykin
1988 - Expensive Pleasure - William Ter-Ivanov
1989 - Feasts of Belshazzar, or Night with Stalin - Lavrenty Pavlovich Beria
1989 - Lady's Visit - Alfred Ill, a bankrupt shopkeeper
1990 - Suicide - Entertainer
1990 - Football Player - Norov
1991 - Promised Heaven - Dmitry Loginov, leader of the homeless beggars, nicknamed the “President”
1991 - Lost in Siberia - Lavrenty Pavlovich Beria
1991 - Night Fun - Mikhail Fedorovich Ezepov, Anna's lover, head Silina
1991 - Terrorist - Victor
1992 - Anchor, another anchor! - Fedor Vasilievich Vinogradov, Colonel
1993 - Want to America - Epstein
1994 - The Master and Margarita - Woland
1994 - I am free, I am nobody - Chesnokov
1996 - Career Arturo Wu. New Version - Actor
1997 - Kazan Orphan - Pavel Ottovich Brumel, magician
1999 - Sky in Diamonds - Deputy Minister
2000 - Old Nags - Dubovitsky, General
2000 - House for the rich - Roman Petrovich
2000 - Tender Age - Saledon Sr.
2001 - Clock without hands
2002 - On the other side of the wolves - Igor Alekseevich Goloshchekov, doctor
2003 - Days of an angel - Victor Zuev
2003 - Everyone will ascend to Calvary - Uncle Sasha
2004 - Snowy Love, or A Winter Night's Dream - Oleg Konstantinovich, Vice Grandfather
2004 - It all starts with love
2005 - Nine Unknowns - Victor Sevidov, billionaire
2005 - Swan Paradise - Grishin
2005 - Master and Margarita - high priest of Kaif; man in a french
2006 - Carnival Night 2, or 50 years later - Boris Glebovich Perlovsky, political strategist
2007 - 12 - 4th Jury
2007 - Leningrad - theater director
2009 - Autumn Flowers - Alfred
2009 - Attraction - Alexander Nikolaevich
2009 - Book of Masters - a magic mirror
2010 - Burnt by the Sun 2: Anticipation - Jew, Prisoner Pimen
2010 - Family house - Vasily Petrovich Shvets, neighbor of the Sokolovs
2011 - Marines - Lazar Semenovich Goldman, gynecologist
2011 - Life and Adventures of the Bear Jap - Mendel Gersh
2013 - Studio 17 - Andrei Ivanovich Dorokhov Soviet director
2013 - Yolki 3 - Nikolay Petrovich, a lonely pensioner
2013 - The Leader's Way. Fiery river. Iron Mountain - Arkady Iosifovich Preobrazhensky
2014 - The Story of an Old Woman - Gavriil Moiseevich Fishman
2014 - Breaking the vicious circle - Arkady Iosifovich Preobrazhensky, professor of Karaganda University
2015 - Milky Way

Scoring cartoons by Valentin Gaft:

1973 - Like a cat with a dog
1977 - Feast of Disobedience
1978 - Postman's Tale
1981 - Dog in Boots - Noble
1982 - The Birth of Hercules
1987 - Magic Bells - King
1987 - White Heron
2008 - New Adventures of Grandma Yozhki - Raven
2012 - From the screw - Experienced - IL-2 attack aircraft

Literary work of Valentin Gaft:

Verse and Epigram (1989)
Valentin Gaft (1996, together with the artist N. Safronov)
I gradually learn (1997)
Life - Theater (1998, co-authored with Leonid Filatov)
Garden of Forgotten Memories (1999)
Poems, memories, epigrams (2000)
Shadows on the water (2001)
Poems. Epigrams (2003)
Red lights (2008)

A song is written on lyric verses “Me and You” (music by Brandon Stone), performed by Sati Casanova

Today, September 2, 2015, Valentine Gaft celebrates his 80th birthday. It is probably difficult to list all the films and the wonderful roles for which the viewer remembers him. Each role of Valentin Gaft was unique, thanks to his game, and hardly anyone would have taken on the embodiment of these images. Although now Gaft does not need to play so much anymore - the audience will clap even at his one appearance on the stage.

EARLY YEARS AND THE ROAD TO THE THEATER

My pre-war childhood Valentine Gought spent in Moscow. In those years, nothing foreshadowed his future acting career. Father, Joseph Romanovich, was a lawyer. And the mother, Gita Davydovna, always taught her son to be organized and keep order in everything, because then the family lived in a small room in a communal apartment on Matrosskaya Tishina Street.

June 21, 1941 - the day the war began, the family was supposed to move to the city of Pryluky, Ukraine, but because of the heavy workload of their father, they decided to change their tickets a day later. And it was a fatal decision in their life. On June 22, on the radio, Molotov announced the start of the war. Father and cousin Valentina Gaft went to war. At the end of the war, Joseph Romanovich returned as major.

Valentine Gaft in his youth

And for the first time, Valentin became acquainted with the theater only in the fourth grade, when he was taken to the children's theater to watch Sergei Mikhalkov’s play “The Special Task”. And though Valentine Goughhe was very impressed with what was happening on the stage, but he still did not have a desire to become an actor. The first thoughts about choosing an acting career appeared when he first entered the school scene himself. By the way, since the school was only for boys, Valentine had a chance to play many female roles.

Nevertheless, the profession of an actor was far from what others expected from him. Therefore, he decided to secretly submit documents to two universities at once - to the Shchukin School and the Moscow Art Theater School. Gaft later said that before the exams he was lucky to meet actor Sergei Stolyarov. And then Valentine was not afraid, asked the public idol to listen to him first and give some advice. The actor, although he was surprised by such a request, but decided to help. And, even in Shchuk Gaft was able to pass only one round, but he entered the Moscow Art Theater on the first try.

His parents ambiguously reacted to this. As he recalls Valentine Gaft, his father then said: “Valya, what kind of artist are you? Look at Misha Kozakova - he has both a suit and a butterfly, and what are you? That's what an artist should be like. ” Then he did not assume that the first film role in Valentina Gaft will be in the film with Kozakov. Then everyone dreamed of getting on the screen. And the first success in this area, Gaftu smiled at the last courses of the institute, though these were episodic roles, almost without words in the films “Murder on Dante Street” and “Poet”.

First appearance on the screen in the movie “Murder on Dante Street”

LONG SEARCH FOR “OWN” SCENE

But after graduation, Gaft did not want to take in any theater. A famous reader, Dmitry Zhuravlev, helped in the search for work. Thanks to him Valentina Gaft took to the theater of the Moscow City Council. True, the actor did not stay there for a long time: during the very first tour he left the troupe, as he did not like the proposed roles. After some time, Erast Garin offered him a job at the Satire Theater, but from there he was kicked out after his first debut. Then no one knew yet that several years later on the stage of this theater Valentine Gaft will perform one of his best theatrical roles - Count Almaviva in "Crazy Day, or The Marriage of Figaro."

Valentin Gaft - actor of the Sovremennik Theater

During this period of work Valentina Gaft replaced one by one. First, he works in the theater on Malaya Bronnaya, then with A.A. Goncharova in a small theater on Spartakovskaya street, and in 1964 Gaft gets to Anatoly Vasilyevich Efros in the Lenin Komsomol Theater. And, although in the latter, the actor also did not stay long, but it was here that he gained experience, which formed the basis of his subsequent career, because in the theater he played a lot of classical productions that helped Gaft to find his talent.

Five years later, Oleg Efremov invites him to work in Sovremennik. And it was this theater that became native to him and remains so to this day. Among the best roles played on this scene are Glumov “Balalaikin and K”, George “Who's Afraid of Virginia Woolf?”, Gorelov “Hurry up to Do Good” and Rakhlin “A Domestic Fluffy Cat”.

Scene from the play "Balalaikin and K"

AND FINALLY A FILM

In cinema career Valentina Gaft also did not get along very well. For a long time he played only in episodes. And even when by the end of the 60s the actor began to appear more and more on the screen, he still did not get interesting and memorable roles. As Gaft himself said about this: “Cinema did not spoil me. Not only that, my type was not the same. Non-Russian, strange appearance. In those days, the hero had to be different. This is natural. In the years 50-60-70, I was not suitable for any role, with rare exceptions. Most often it was like this - they did film screenings, and it seemed that they were about to take on the role, but then someone came and they didn’t shoot me in the picture. ”

In the 70s, luck began to smile Valentina Gaft, and he played his first vivid roles in the movie: Brasset in the comedy "Hello, I'm Your Aunt!" and Stuart in the political drama Night on the 14th Parallel. And even then his cinematic manner of intellectual play began to be developed, with a deep drawing of the image.

Frame from the film "Hello, I am your aunt!"

But Gaft's true popularity came after meeting with Eldar Ryazanov. It was with him that he played his classic roles. Their first joint work was in 1979 the film "Garage", where Valentine Gaft played the role of chairman of the garage-building society Sidorkin. His game perfectly portrayed an ironic character in the spirit of the times.

This was followed by more than one role in Ryazanov’s films: the father-commander in the tragicomedy “About the poor hussar put in a word ...”, Alone in the film “Forgotten melody for the flute”, the leader of the homeless named “President” in the tragicomedy “The Promised Heaven”. Each of these roles was completely unlike the previous one, and it was precisely at Ryazanov that Gaft was able to show that he is capable of playing completely different characters. In each of these films, the actor created a unique and memorable image for a long time.

Frame from the movie "Garage"

After that to Valentina Gaft popularity has come. In the 80s he was lucky to play many interesting roles. Among them are the roles of the thief-recidivist Alexei Dedushkin nicknamed Baton in detective Alexander Muratov "Racing Vertical" and the role in the detective series "Visit to the Minotaur." The roles of Valentin Gaft in such paintings: “Wizards”, “Along the Main Street with the Orchestra”, “Lady's Visit” and “Ankor, More Ankor!” Also became famous. And in 1994, Gaft played Woland in the film adaptation of “Master and Margarita” directed by Yuri Kara, but the film never came out on wide screens.

Frame from the film “The Master and Margarita

VALENTINE GAFTA'S LITERARY CREATIVITY

But Valentine Gaft rich not only in his acting talent. Once, unexpectedly for himself, he began to compose epigrams. And then Oleg Efremov invited him to compose several such epigrams about famous actors. They were ironic and sometimes very caustic, but their goal was not to insult colleagues, but simply a cheerful look at their work. Many of them were often quoted. Here is some of them.

Dzhigarkhanyanu:

Far fewer Armenians in the land,

Than the films where Dzhigarkhanyan played.

Irina Alferova:

You won't succeed

After all, you, beauty, are not Peha.

Do your success in bed -

To do it on stage is a sin!

And amidst the most intimate pleasures

Irina is better b .... th of all.

Stop the torment

Play art with you apart.

Mikhail Boyarsky:

Why are you yelling like that

Like a robbed Jew?

You D "do not disturb Artagnan,

He is a nobleman, not a plebeian.

By the way, already at that stage Valentina Gaft They began to ascribe to some lines written or spoken not by him. After that with epigrams Valentine Gaft he quickly finished, but nevertheless decided to improve his poetic abilities. So today there are even several collections of lyric poems Valentina Gaft. In addition to poetry, there are other Gaft books on the theater and its life.

THREE Wives OF VALENTINE GAFT

Personal life Valentina Gaft the ball is much more intense than you can imagine now, because in his youth he was considered a rather interesting man. The actor married three times, and his chosen ones were very attractive women. First wife Valentina Gaft became fashion model Elena Izorgina. The second is ballerina Inna Eliseeva. And although the couple had a daughter, Olga, in the 80s they still divorced.

One of the greatest tragedies in the life of an actor is associated with this marriage. After their divorce, the daughter took her mother's name and stayed with her to live, but nevertheless she maintained a warm relationship with her father. But the older Olga became, the more her relations with her mother deteriorated. In September 2002, the girl unexpectedly committed suicide, accusing her mother of a suicide note. Inna Eliseeva, however, did not survive Olga much, having died on January 31, 2003 of stomach cancer.

Valentin Gaft with his daughter

But with his third wife, actress Olga Ostroumova, he is happy to this day. But their relationship was not so simple. They first met on the set of the film "Garage", and although Olga immediately liked Valentina Gaft, at that time she was married, and Valentin Iosifovich decided not to even try. “I felt so bad,” said the actor. - I realized that I was tired of lying, tired of hearing lies from others, I was tired of the contradictions in which I got confused. And suddenly Olya appeared on the screen - I just stared at the image, could not take my eyes off her wondrous face. ” But soon Olga Mikhailovna broke up with her husband, and then the path to their happiness was open.

Valentin Gaft and Olga Ostroumova

In the filmography Valentina Gafttoday there are more than one hundred roles, many of which have become classics. But, despite this, he always considered himself primarily a theater actor. For over 40 years he has been faithful to his temple, the Sovremennik Theater, on the stage of which he played innumerable wonderful roles. At 80 Valentine Gaftstill active. Soon, the actor plans to stage his own play, in which he has invested everything that he would like to pass on to future generations. As the actor himself says: “I think that every generation lives for the next. Life gives man happiness and rewards him for the fact that he, despite all the difficulties of life, remains human. ”

Childhood Valentine Gaft

Soviet theater and film actor Valentin Gaft was born on September 2, 1935 in Moscow. His childhood passed on Matrosskaya Tishina Street, on which the most diverse institutions were located. Opposite the Gaft family’s house was a psychiatric hospital, a student dormitory and a market to the left, and a prison to the right. As Gaft himself said: "The whole world is in miniature." Father Joseph Ruvimovich (1907-1969) was a lawyer in the Legal Advice on Leningradsky Prospekt. Member of World War II, he was a proud and strong-willed man. Mom, Gita Davydovna (1908-1993), was a housewife. It was she who instilled in her son a love of order and organization.

Valentine Gaft in his youth

The fateful day of June 21, 1941 remained forever in the memory of Vali. After all, it was on that day that he and his parents had to go to Ukraine, to the city of Pryluky. Obeying a coincidence, the parents changed their tickets for June 22. The next day, little Valya, along with the whole country, heard Molotov perform on the radio. The Great Patriotic War began. Seeing off his father, and then his cousin, Valentine remembered him for life.

The beginning of the theatrical career of Valentin Gaft

The first time Gaft visited the children's theater in the fourth grade. There was a play by Sergei Mikhalkov, "Special Mission." At first he thought that everything that was happening on stage was a reality. The desire to try himself as an actor came a little later. In school activities, he had to play women and girls, because only boys studied at school.

The theater carried Gaft back to school

Due to the fact that Valentin Gaft was carried away by the theater while still a schoolboy, after graduation exams, he went to the Moscow Art Theater School. Acting the first time he helped Sergei Dmitrievich Stolyarov. It happened like this. A few days before the exam, Valentin Iosifovich was heading home through Sokolniki Park.

Suddenly, on his way, he saw a man walking staggeringly. Gaft immediately recognized him as his favorite actor, Stolyarov. Not daring to miss such a chance, he decided to ask a famous person for advice. Daring, he went up to Stolyarov and said: “Excuse me, please, but I am entering the Moscow Art Theater School and am very worried. Could you listen to me? ”

Valentin Gaft in his youth was an attractive man

At the first minute, the famous actor was dumbfounded, but then he pulled himself together and said: “I can listen to you. But not here. ” “Where,” Gaft dared. "In my house. Come to me tomorrow, having called beforehand, ”- and Stolyarov wrote on the piece of paper his home phone number. The advice of Sergei Dmitrievich was not in vain. The Moscow Art Theater received it on the first attempt. Oleg Tabakov, Evgeny Urbansky, Igor Kvasha, Maya Menglet, Mikhail Kozakov studied with him on the course.

The film debut took place in a dumb role in the film "Murder on Dante Street." Almost at the same time, Gaft played a cameo role in the romantic drama The Poet. The reaction of parents to the artistic activities of their son was peculiar. While studying at the Moscow Art Theater School, his father repeatedly asked him: “Well, what kind of artist are you? Here, Misha Kozakov, he has a butterfly and a suit, but what are you? That's what an artist should be! ”

The reaction of Gita Davydovna was truly maternal. Seeing him in the play “The Marriage of Figaro,” she said: “Valya, how thin you are!”

Valentin Gaft - a great diverse actor

Theater work

In 1957, Valentin graduated from the Moscow Art Theater School. He was not hired for a long time. The famous reader Dmitry Zhuravlev could not remain indifferent to the fate of the young artist and helped him get a job at the Mossovet Theater. Gaft worked there for about a year and left due to the fact that he did not like the roles that they proposed to play.

Gaft is anxious about the profession of an actor
Some time later, Erast Garin offered a job at the Satire Theater. And here, Valentin Gaft could not hold out for long, he was kicked out, but the general history of the Theater of Satire and Gaft did not end there. A few years later, he played one of his best roles on this scene - Count Almaviva in the production of Crazy Day, or The Marriage of Figaro. This role was subsequently played by Alexander Shirvindt.

Gaft devoted several years to work in the theater on Malaya Bronnaya, then a new round and the transition to A. A. Goncharov in the theater on Spartakovskaya Street.
1964 was a new page in the life of Valentin Gaft. This year he came to the Lenin Komsomol Theater to Anatoly Vasilyevich Efros. Here the actor for the first time truly revealed himself, interesting creative works appeared, the best performances of this theater became theatrical classics.

Valentin Gaft has been serving at the Sovremennik Theater for many years

In 1969, Oleg Efremov invited him to the Sovremennik Theater. He became his hometown. He owes many roles to the director of the theater Galina Volchek. Here he played his best roles: Lopatin in “From Lopatin's Notes”, Glumov from “Balalaykin and K.”, Gorelov from “Hurry to Do Good”, George from “Who's Afraid of Virginia Woolf?”

Hard road to the cinema

Cinema for many years did not accept Gaft, he was offered only episodic or unexpressive roles. Until the end of the 60s, he did not have vivid, memorable roles on the movie screen. Valentin Gaft was aware of this and said that the movie did not spoil him. To a greater extent, he explained this with his non-Russian appearance. At that time, the Soviet film hero had a slightly different image.

Valentin Gaft in the role of Brasset (film “Hello, I am your aunt”)
Years passed and Valentin Gaft began to appear the first serious roles. In the 70s, this was Stuart's role in the political drama "April 14th Night." In 1975, he was noted in the role of Lopatin in the television show of the play “From Lopatin's Notes”. The unforgettable role of Brasset in the comedy "Hello, I'm Your Aunt."

Cooperation with Ryazanov

Valentine Gaft. Colonel Pokrovsky’s romance from the film “On the poor hussar, put in a word”

Valentin Gaft received real recognition after cooperation with Eldar Ryazanov. All the roles played under the guidance of this famous director were the best in the biography of the actor.

The chairman of the garage-building society Sidorkin, father-commander, bureaucrat and servant from the Ministry of Free Time, leader of the homeless named “President” - all these roles were played by one person - Valentin Iosifovich Gaft.

Personal life

Gaft has been married several times in his life. In a marriage with Inna Eliseeva, his daughter Olga was born to him, but in the early 80s the couple divorced. Gaft is currently married to actress Olga Ostroumova. For the first time, the actors saw each other on the set of the film "Garage", but they were able to arrange the relationship only in 1993. At the time of the meeting, both were not free.

Valentin Gaft with his wife Olga Ostroumova

A special place in the life of an actor has always been occupied by children. After a divorce from Inna Eliseeva, his daughter Olga changed her name and stayed with her mother, maintaining a warm relationship with her father. None of those around could warn the tragedy that cut short Olga's life. The unfortunate girl decided to commit suicide, accusing her mother of what happened. Inna Eliseeva lived longer than her daughter for only a few months and died on January 31, 2003 of stomach cancer. These misfortunes contributed to the fact that Valentine Gaft became withdrawn and refused to give interviews for a whole year.

Valentin Gaft in the film "The Master and Margarita"
The support of Olga Ostroumova and her son Misha, whom Gaft has been raising since the age of ten, helped to survive the tragedy.

Valentine Gaft now

Valentin Iosifovich continues to serve in the theater, records audio performances, and writes witty epigrams. Oleg Efremov pushed him to write. Initially, Gaft wanted to be ironic over himself, but sometimes it turned out to hurt other people.

Gaft epigrams are increasingly found on the Internet. Among them there are ironic ones, such as, for example, dedicated to Armen Dzhigarkhanyan:

Far fewer Armenians in the land,

Than the films where Dzhigarkhanyan played.
Valentine Gaft. Epigrams

Before the war, the Gaft family lived in Moscow, in a five-story building on Matrosskaya Silence. Gaft lived more than modestly, in a communal apartment, like everyone else. They had one room, and everyone was happy. Valentin's parents had nothing to do with the theater. Father, Joseph Romanovich (1907-1969), was a lawyer by profession. He was an amazingly modest, but strong and proud man. From his mother, Gita Davydovna (1908-1993), Valentin learned to be organized, she instilled in him a love of order.

Very well, a day crashed into Vali's childhood memory, which could become fatal in the fate of the family. June 21, 1941 they were supposed to go to Ukraine, to the city of Pryluky. However, for some reason, parents changed tickets on Sunday the 22nd. The next day, Molotov spoke on the radio about the outbreak of war ... I remembered seeing off to the front of my father, then my cousin. Father went through the whole war, ending it with a major.

The very first impression of the theater came to him in the fourth grade when he watched Sergei Mikhalkov’s play “Special Task” in the children's theater. He believed everything that was happening on stage. But by his own admission, there was no desire to become an actor then. It appeared a little later, and he began to participate in amateur performances, where Valentin had to play exclusively female roles, because only boys studied at the school.

Moscow Art Theater

But even playing in school performances, Valentine was embarrassed to admit to someone that he wants to become an artist. Therefore, he decided to act in secret from everyone. Valentine decided to try his luck at once both at the Shchukin school and at the Moscow Art Theater School-Studio. Two days before the exams, Gaft accidentally met all the moviegoers Sergei Stolyarov on the idol street and asked him to “listen” to him. Stolyarov was surprised, but did not refuse. The lessons of the famous actor were not in vain. True, in college he went only the first round. But Valentin entered the Moscow Art Theater on the first attempt, passing the exam "excellent". When he was accepted, he was shocked, did not believe what was happening.

Like all students of the Moscow Art Theater, Valentin Gaft dreamed of immediately getting into the cinema. Once (in 1956) he was invited to join the crew of the film "Murder on Dante Street", where Mikhail Kozakov was approved for one of the main roles, and was given an almost wordless role. So the debut of Valentin Gaft in the movie. In the same year, he flashed in a cameo in the romantic drama "Poet".

Parents peculiarly reacted to the artistic activity of their son. When he was studying at the Moscow Art Theater School, his father told him: "Valya, what kind of artist are you? Look at Misha Kozakova - he has both a costume and a butterfly, and what are you? That's what the artist should be like." Mother, seeing him in the play “The Marriage of Figaro,” said: “Valya, how thin you are!”

Best of the day

Theater

After graduating from the Moscow Art Theater School in 1957, Gaft could not get a job for a long time, he was not taken to any theater. The famous reader, Dmitry Zhuravlev, helped. With his light hand, Gaft ended up at the Mossovet Theater. However, a year later he left the theater during the tour - he did not like the roles that they offered to play.

After some time, Erast Garin offered him a job at the Satire Theater. The debut was unsuccessful, he was kicked out, but a few years later on the same stage, Valentin Gaft played one of his best roles - Count Almaviva in "Crazy Day, or The Marriage of Figaro", which was subsequently played by Alexander Shirvindt for many years.

For some time, Gaft worked in the theater on Malaya Bronnaya. Then a new transition - to A.A. Goncharov, who then headed the small theater on Spartakovskaya Street.

In 1964, after working in the Goncharov Theater, Gaft came to Anatoly Vasilyevich Efros at the Lenin Komsomol Theater. This is a special page, since it has become perhaps the most important in his artistic biography. The best performances of the Efros Theater will forever remain theatrical classics. Efros Gaft worked for a relatively short time and played not so many roles. But it was this experience that laid the foundation for his skill.

He came to Sovremennik at the invitation of Oleg Efremov in 1969. Many of his roles in this theater are connected with the name of the main director of the theater Galina Volchek. The whole life of Gaft is connected with these theater now, and he considers it his native home.

Among his best roles: Glumov (“Balalaikin and K”), Lopatin (“From Lopatin's notes”), Gorelov (“Hurry up to do good”), George (“Who's Afraid of Virginia Woolf?”), Rakhlin (“A Cat of Homely Fluffy” ").