Analysis of the episode from Gogol's Nevsky Prospect. Analysis of the story Nevsky Prospect Gogol's essay. Dreams and Dreams
N.V. Gogol has many works that we love for his subtle humor. The grotesque, absurdity, satire - all this intertwines, comes to the fore, makes the reader taunt the ugly reality. For example, who wouldn’t have a smile in the scene when Solokha hides his lovers in the bags “The Night Before Christmas”? And the attempts of petty officials to hide all their faults before a fake auditor in the play of the same name? But Nevsky Prospect is a completely different kind of work. There are no comic effects or human stupidity that could amuse us. Just something sinister, oppressive, hopeless.
The story was published as part of the collection "Arabesques" (1835). Traditionally, he is attributed to the St. Petersburg Tales series, but it is important to note that the author himself never combined his works in this way. Nevsky Prospect, Nose, Portrait and other works from this cycle are simply united by a common theme, but they were all written at different times. Why are these works so successfully formed a single set? Gogol points to human vices, but he is no longer laughing; the inhabitants of the capital are spoiled by the city, and those who still keep moral principles and moral principles in themselves cannot join the St. Petersburg cycle of vanities. And it turns out that true happiness remains unattainable for all citizens.
What is the story about?
Nevsky Prospect is a story not rich in events. The whole plot can be fit into several sentences: Lieutenant Pirogov and painter Piskaryov notice two girls on Nevsky Prospect, each of them follows the one that is prettier by their standards. The artist follows a seventeen-year-old girl who becomes for him the personification of all the most beautiful things on earth, but, as it turns out, the stranger works in a brothel. The main character cannot come to terms with reality - she begins to come to him in a dream, Piskarev’s subconscious mind is trying to justify it. This turns into insanity, he decides to marry a public woman, the same answers his proposal with a venomous mockery. As the reader finds out later, the young man commits suicide.
Pirogov turns out to be a little more successful - his blonde in a brothel does not work, but is married to a German Schiller. The fact that the hero’s marriage is not at all embarrassing, so he continues obsessive courtship. But at one point the jealous husband finds the lieutenant at home and drives him away in disgrace. First Pirogov feels offended, wants to complain to the general, but then refuses this idea.
Key topics and issues
In this product, which is not rich in events, Gogol immediately touches on several relevant topics that are revealed by the example of the main characters.
- The main, perhaps, is the theme of the incompatibility of dreams and reality - a fine illustration of this - the fate of Piskarev. The hero was ruined by the romantic character that Gogol's contemporaries loved to portray in idyllic tones. They have a proud and pale young man reveling in his dissimilarity to others, his inner conflict, was unhappy at the same time, but somehow beautifully and elegantly. But Nikolai Vasilievich’s romanticism is deafeningly crashing, as if he is protesting against the idealization of grandiloquent images and dipping them into the seething boiling water of reality. As a result, romantic heroes are doomed to early death if they do not find a way to cope with the influx of feelings. Even the artist’s last name is Piskarev. He seems to “squeak” from helplessness in a vast and hostile world. His inability to live is the problem of many creative people.
- But the author also warns us against philistine extremes in the image of Pirogov. With him, everything is like water off a duck: no burdens fall into his soul. The hero was publicly disgraced, he lost his “beloved”, an unprecedented blow has been dealt to his reputation, but he does not care, he is too frivolous, cowardly and vulgar. Unlike a friend, he will never decide on a bold and desperate act, his thoughts are extremely simple and vulgar, he is only concerned about his physical condition, and he does not have any special illusions about the world. So the author addresses the topic of spiritual impoverishment. Before us is precisely Pirogov - in this case, his surname speaks of the limited horizons and character, his sharpness on the physical side of life. In his image, the problem of spirituality and moral decline is concentrated.
- In addition, Gogol talks about the loneliness of a person - because no one comes to the artist’s funeral, even his “friend” lieutenant. It turns out that proud loneliness becomes an indirect cause of Piskarev’s death: no one helped him cope with a spiritual crisis. Loneliness in a big city goes beyond the scope of the topic: everyone does not care about each other, people cease to be a value. This is a problem on a global scale, not just Petersburg.
- The theme of morality is revealed by the example of a beautiful stranger from a brothel. Externally flowering woman is internally vicious and callous lady of half the world. Appearance is deceptive, it is not able to characterize a person completely. So the artist’s illusions are untenable and empty. He failed to penetrate deep into things, to understand the essence of being, and the contrast of beauty and ugliness amazes him.
- Of course, there was a theme of love. It appears in the form of a fatal, fateful meeting, which brought passion, confusion and death. Bulgakov described this kind of wonderful feeling as “a killer from around the corner”. This happened with the artist, who met his killer in the image of a priestess of love. It is also appropriate to mention the theme of rock, which was the subject of the narrator’s thoughts.
- The central role in the story is assigned to the artist Piskarev. He is a true creator, hungry and honest. He is not so important income, how much the process of creativity. It is natural for him to dream, and therefore idealize. He honors and respects beauty; in his mind that which is beautiful should not be vicious. And it was these qualities that played a cruel joke with him. Not a mercantile, not spoiled man could not reconcile with the cruel realities of St. Petersburg, where a young girl dooms herself to the role of a prostitute without regret and repentance, and she does not feel ashamed of her position, but enjoys it. Such a turn of events could only harm such a clean and dreamy young man as Piskarev. If Pirogov were in such a situation, he would not be at all embarrassed. The painter, however, refuses to put up with the fact that a beautiful creature can be immoral and corrupted, so he is trying with all his might to justify her - in his dreams she is either a noble lady or a simple village girl. So he becomes dependent on the world of dreams - time after time it is more difficult for him to face reality. The hero was never able to accept reality, so death remained the only way out for him - this is how the artist commits suicide.
- An important role in the fate of Piskarev was played by a stranger from Nevsky. The reader does not have the opportunity to get acquainted with her inner world, but her image is written out quite accurately - this girl combines an absolutely angelic appearance and not an angelic soul at all. She calmly, and even with pride, treats her work in a brothel, considers for herself a more shameful role of the wife of a poor person, and not the fate of a kept woman. This contrast of appearance and soul - beautiful and disgusting - becomes deadly for the pure and dreamy Piskarev. She is a man who has adapted to life in St. Petersburg, whatever it is, he is its complete opposite.
- The complete opposite of Piskarev is also his friend, Lieutenant Pirogov. He is not at all dreamy, but, on the contrary, quite rational. It matters to him what position he occupies in society, so he loves to boast of his rank, albeit so far low. He can cross the boundaries of morality and morality - for example, the presence of a woman’s husband does not stop him at all, but, on the contrary, provokes him. He is selfish and selfish, but cowardly - because, ultimately, he does not even dare to tell the general about the insult inflicted on him - from the German Schiller for harassing his wife.
Characteristics of the main characters
Gogol contrasts Pirogov, a stranger with Nevsky Piskarev - so he clearly shows for what kind of people Petersburg is suitable, and who definitely can’t survive there. A dreamy and high-moral artist could not come to terms with the simple discrepancy between dreams and reality, the official absolutely calmly put up with insults and beating, and then he went to hang officers with friends. So the author expresses his opinion about the big city - this is a city for fat-skinned people, people spoiled, callous and mercantile, like a stranger and Pirogov, and not for the artists Piskarevs.
The image of Nevsky Prospect
Nevsky Prospect personifies the entire capital as a whole. The author does not immediately reveal his attitude to the city to the reader. The book begins with the sentence: “There is nothing better than Nevsky Prospect, at least in St. Petersburg; for him he is everything. ” In the course of further events, the reader understands that the street is not so simple that in part it was she who walked around the finger of the trusting Piskarev. The beautiful road that the narrator describes in the introduction is, in fact, just a beautiful shell of a vicious city. It is as if she is participating in "deception"; it is the city itself that is deceiving Piskunov; as if it was the fault of the avenue that the artist decided to pursue the stranger. Something mystical, mysterious and mysterious appears in his image. “Oh, do not believe this Nevsky Prospect!<…> All deception, all dream, everything is not what it seems! ” - so Gogol summarizes in the finale of the story.
The idea in Nevsky Prospect
As mentioned in the previous paragraphs, the writer questioned the utopian idealization of the fate of a romantic hero. In fact, such a refined nature cannot get used to the collapse of hopes and illusions. She either loses her sophistication, becoming an analogue of a girl from Nevsky, or perishes. Many artists, precisely because of this pattern, do not live long, but tradesmen, vicious women and ordinary dandies live a long and relatively calm life. The writer wanted to bring this truth of life to our attention.
However, the meaning of the story "Nevsky Prospect" goes far beyond the problem of life in a vicious city - Gogol pays more attention to the coexistence of reality and dreams, truth and deception. To reveal this idea, the author uses the image of Nevsky Prospect - so he shows the reader that everything can hide a lie in itself, turn out to be different from what it seems and wants to believe. The same idea continues the image of a stranger. Her appearance also does not correspond to the internal content. People dream about what they cannot get from the world around them, but they begin to dream about it, having become infected with what a deceptive appearance shows, whether it is the exterior of a city or a person. And, as the fate of Piskarev shows, the mismatch between reality and the world of illusions can bring destruction to the life and character of the person.
Interesting? Save on your wall!The title of this work suggests that the main image and a kind of main participant in the events created by Gogol is Nevsky Prospect. The summary, of course, will not be able to tell so vividly about this street that it “smells like walking”. So, let's try to recall what this book is about.
Description of Nevsky Prospect
Let us turn to how N.V. Gogol "Nevsky Prospect." A brief summary of this work is worth starting with a description of this street. The rich language of the writer very vividly conveys to us the atmosphere of Petersburg of that time. We see people walking along the main street of this city. In the morning on Nevsky you can meet the poor, working people, officials. At noon, governesses with children appear there, and this avenue can safely be called "pedagogical." From two to three hours on the avenue you can see a real "parade of ranks." This is a real exhibition of hats, shoes, slippers, dresses, men's whiskers and mustaches. After four hours, the avenue becomes empty and comes to life again at dusk, Gogol writes. The story "Nevsky Prospect", the brief content of which we are considering, introduces us further with two actors.
Meeting Pirogov and Piskarev
In the evening, two friends meet on the avenue. So continues Gogol "Nevsky Prospect." A summary of the book is impossible without a description of these two characters. Pirogov is a narcissistic lieutenant, confident in his success with women. Piskarev, on the contrary, is a shy and timid artist who does not dare to hope for mutual attention from young people. On Nevsky, the lieutenant drew attention to a charming blonde, and the artist liked the brunette. Next, the young people missed each other.
A beautiful stranger
It should be noted that the central work in the cycle "Petersburg Tales" by Gogol is Nevsky Prospekt. The summary of this work makes us follow along with Piskarev a beautiful young girl. He only wanted to know where she lives - he never dreamed of anything else. However, the smile with which the stranger turned on the young man inspired him. And what happened to him when, going up to the house, the young lady motioned him to follow her!
Disappointment
Piskarev followed the stranger, nourishing the most tender and lofty feelings. A woman opened the door for them. The apartment they entered struck Piskarev: he realized that he was in a debauchery shelter. A shocked young man escaped.
Dreams and Dreams
Once at home, Piskarev fell asleep. He had a dream. It is this episode that Nikolai Vasilyevich Gogol continues, Nevsky Prospekt. The summary of this story will further tell us what the young man dreamed of.
So, Piskarev saw that a footman had come for him, and, having said that the same mistress had sent him, ordered him to follow him. He was at the ball in a magnificent mansion. All the ladies were beautiful, but She was the most brilliant of all, of course. The girl tried to say something to Piskarev, but they were constantly disturbed. He woke up. Life has lost its meaning for a young man. To sleep better, he bought opium. His existence only made sense in dreams.
Piskarev imagined that he would marry this girl, and she would go down the terrible path she was following. Once he decided to make her an offer. Going to that house, he again saw her and spoke about his plan. The answer to his words was contempt. Piskarev fled again and did not leave his room for several days. When the door was cracked, they found a young man with a throat cut.
About Pirogov
The story of a friend of the unfortunate Piskarev continues Gogol "Nevsky Prospect." A summary of this story sends us in the footsteps of a blonde and Pirogov to the house of a tinsmith Schiller, whose wife was a blonde girl. In addition to Schiller, there was also a shoemaker Hoffmann in the room. Together they put Pirogov, but he decided not to give up and, having arrived the next day, began to flirt with the young woman. She threatened to complain to her husband. Pirogov ordered spurs from Schiller in order to have an occasion to appear in this house again. The impudent behavior of Pirogov freaked out the tinsmith. Having conspired with his wife and friends, he decided to teach him a lesson. The blonde invited him to her room, where after a while Schiller burst in with friends and, beating the young man, put him out.
However, Pirogov did not long regret it. Fortified by pies, the lieutenant again began to enjoy life.
The theme of Petersburg in the works of writers of the 19th century is by no means the last. A city built against all laws of nature, by the will of man alone; a city created in an unprecedentedly short period, as if in a fairy tale; a city that has become the embodiment of various human contradictions, a symbol of the eternal struggle of prosperity with poverty, grandeur with ugliness - this is how Petersburg appears to us in the works of A.S. Pushkin, N.V. Gogol, many writers of the so-called natural school.
St. Petersburg's assessment has always been mixed: hatred and love were intertwined. It was here that, when young, the most prominent figures of Russia strove here, here they turned into remarkable writers, critics, and publicists. In St. Petersburg, their ambitious dreams came true. But on the other hand, here they had to endure humiliation and need; the city seemed to suck people into a swamp — a swamp of vulgarity, stupidity, ostentatious luxury, which often hid extreme poverty, and the center of this swamp, the heart of Petersburg was the famous Nevsky Prospect.
N.V. Gogol wrote in the novel Nevsky Prospect; “There is nothing better than Nevsky Prospect, at least in St. Petersburg; for him he is everything. ”
St. Petersburg appears to the reader not just as a capital, a grand metropolis with magnificent palaces, beautiful streets and the Neva, “dressed in granite”, but as a revived giant with its own face, its own character, its own special habits and whims.
And people passing hundreds of days along Nevsky Prospekt are also carriers of a wide variety of characters. “Creator! What strange characters are found on Nevsky Prospect! ”
But despite the huge number of people passing at any time along the avenue, yet a feeling of community and integrity is not created between them. The only thing that unites them is the meeting place, Nevsky Prospect. As if "some demon crumbled the whole world into many different pieces and all these pieces were meaningless, confused to no avail together."
And from this human confusion two people stand before the reader: Lieutenant Pirogov and “Piskarev, a young man in a tailcoat and cloak”. The first is well versed in contemporary reality, he is well acquainted with the “roulette” of a magnificent city: risk, eternal risk, and if you are ready to take it, Petersburg is cruel and merciless, but at the same time able to help the realization of the most secret hopeless, most ridiculous dreams will become yours.
The lieutenant takes the risk and loses, but for him there is nothing unusual, much less tragic. He easily copes with the “anger and indignation” that gripped him, and this happens not without the influence of Nevsky Prospect: “A cool evening made him walk a little along Nevsky Prospect; by nine o’clock he calmed down ... "
But another character - a hero in a raincoat and tailcoat - follows the example of his friend and, like him, loses. However, for him - lonely and alien in the northern capital - this loss becomes fatal. “Shy, timid, but in his heart wore sparks of feelings, ready to turn into a flame on occasion,” the artist Piskarev trusts Nevsky Prospect his whole life, while Pirogov, risking everything, seems to lose nothing. For him it’s a game, but for Piskarev it’s life. A person who is sensitive to the world cannot become callous and rude in one day, stop believing in the world, forget about the disappointment that the famous avenue brought him.
In parallel, the story of two heroes, opposite in character and fate, helps the reader better understand the contradictory nature of Nevsky Prospect itself. The comical situation faced by Lieutenant Pirogov is contrasted with the tragic fate of poor Piskarev. In the same way, the comic vulgarity of the morning avenue is combined with the evening, tragic vulgarity, with deceit, because "he lies at all times, this Nevsky Prospect, but most of all when the night falls upon him with a thick mass ...".
With a small twinkle dancing before his eyes, beckoning behind him and luring him into dangerous nets, N.V. Gogol presents us Nevsky Prospect. It is difficult for any person to endure the trials that fell to the lot of Piskarev, especially the artist. The author writes: “In fact, pity never takes possession of us so much as with the sight of beauty touched by the corruptive breath of debauchery.” For the artist, a meeting with Nevsky Prospect, with its inhabitants became the cause of the collapse of all hopes, it literally devastated his soul. Not to see the beauty of the world means not wanting to live, and when the beauty in your eyes turns into nothing, you involuntarily ask yourself: if this is all a mirage and a ghost, then what is real? And the real remains Nevsky Prospect with its eternal mystery and eternal deception.
Which "for St. Petersburg is everything." Gogol gives vivid pictures of this famous street and the public on it at different hours of the day, emphasizing that Nevsky is not so much a business place as a purely human life of the northern capital. A thoughtful observer can draw a lot of deep psychological impressions here.
Gogol believes that Nevsky Prospect is most interesting in the evening, when the light of lamps and the long shadows of passers-by give it a strange, fantastic shade. He is especially loved at this time by young people: walking young men sometimes go from walking to running to look at the lantern under the hat of a beautiful lady accidentally met.
Gogol. Nevsky Prospect. Audiobook
During such a lesson, and met briefly on Nevsky Prospekt, the superficial, lively lieutenant Pirogov and the delicate, impressionable artist Piskaryov. Each of them ran after a pretty young girl: Pirogov for a chubby blonde, and Piskaryov - for a brunette in a colorful coat, whose facial features resembled him painted by the great Perugino Bianca.
Gogol in his story at first follows Nevsky Prospect after Piskaryov. The inspired artist flashed before him a brunette in a raincoat seems like a lovely goddess, flying straight from the sky. Her appearance was so fascinating to Piskaryov that, despite his characteristic timidity and shyness, he decides to find out the address of a beautiful stranger at all costs. Pushing passersby, the artist flies after her. The lady notices his pursuit, turns around several times - and from her fleeting glances at Piskaryov’s heart trembles. A semblance of a smile suddenly expresses on her face ...
The girl enters the entrance of a brightly lit four-story building. Piskaryov, beside himself with passion, follows a beautiful creature and suddenly hears his voice: “Go carefully!” A lady enters one of the apartments on the fourth floor. Piskaryov who entered there sees an unexpected picture: several clearly dissolved women are sitting in different poses, one of the neighboring rooms is ajar, a rude male voice and female laughter are heard from it. Piskaryov realizes that he was in the home of prostitutes. The lady he was running along Nevsky Prospect was approaching him. In the light, she seems even more beautiful, she looks only 17 years old. But Piskaryov now realizes that she is not an angel at all, but a fallen slave. In mental turbidity, he runs out into the street.
Arriving home, Piskaryov falls into despair. The contrast between the first, lofty impression of the girl and the painting he saw in the brothel is too strong. The shocked artist sits for a long time, dropping his head in his hands. Soon Piskaryov imagines a certain footman comes into his room and takes him to a ball, where all the same charming lady suddenly turns out to be a noble aristocrat. She seeks to meet him for exalted love, convincing that she does not belong to that contemptible class among which the artist saw her. But it soon becomes clear: it was just a dream.
Piskaryov’s nerves are upset. The gaping gap between the ideal and the bitter reality is too wide for a subtle creative nature. The artist begins to use opium, which further heat his thoughts. He has a plan to tear his goddess out of the nest of debauchery. Piskaryov decides to go to her, offer to marry him and lead a quiet family life in the midst of the joys of pure mutual affection.
Gogol describes how, after a long search, Piskaryov finds the same house. All the same women are sitting in the familiar room, and his ideal is also among them. But Piskaryov’s innocent proposal to marry him and indulge in an honest, working life is met with arrogant, cynical ridicule. “I am not a washerwoman or a seamstress,” the one he thought to save answers. The ridiculed artist returns home, and after several days of terrible mental torment, he cuts his throat with a razor, not even winning a decent funeral.
Having told the story of Piskaryov, Gogol tells the very opposite incident that happened to Lieutenant Pirogov. After parting with the artist on Nevsky Prospekt, the hanger Piskaryov pursues his own female ideal - a rather frivolous blonde who stops in front of each store, looking at the baubles in the windows. Gogol informs the reader that Pirogov is one of those lieutenants who have the special gift of entertaining with flat chatter as empty as he himself will give.
Now Pirogov pursues the blonde he liked to the quarter of the German artisans and runs after her into one soiled house. Not at all embarrassed, an assertive lieutenant enters her apartment. In the middle of her is the blonde's husband, the German tinman Schiller. In a drunken state, he complains to his friend, the shoemaker Hoffmann, about the high cost of snuff (“20 rubles 40 kopecks a month is robbery”). To save on tobacco, Schiller asks Hoffmann to cut off his nose. Hoffman really takes Schiller’s friend by the nose, takes out the knife and puts it “in such a position as I would like to cut the sole.” The brewing tragedy is prevented by the unexpected appearance of Pirogov. Vaguely aware that the lieutenant is probably pursuing his wife, Schiller begins to yell at him.
Pirogov leaves, but the next day, as if nothing had happened, he goes to Schiller’s workshop, allegedly with the aim of making spurs for him at an expensive price. The German notices that the lieutenant again tries to pester his wife and even tries to grab her by the chin, but when he hears the size of the payment offered by Pirogov, he accepts the order. After receiving the spurs, the lieutenant orders a rim for the dagger from Schiller. He does not stop secret harassment of the German wife. One Sunday, when Schiller leaves to drink beer with friends, Pirogov enters the apartment to the blonde. At first he invites her to dance, and then, after contemplating, kisses.
At that moment the door opens. The drunken Schiller, Hoffmann and joiner Kunz enter. Seeing that the lieutenant kisses his wife, Schiller shouts: “Oh, I do not want to have horns! I am German, not horned beef! Take it, my friend Hoffmann, for the collar! ” Three dozen artisans beat Pirogov hard and kicked him out of the house. He initially wants to write a complaint to them at the General Headquarters or even at the Council of State, but after eating two puff pastries in the patisserie, he decides not to tell anyone about this unpleasant incident.
However, the two unlike stories of Piskaryov and Pirogov are united by the fact that both heroes did not get what they passionately desired, that "for which it seemed that all their forces had been prepared." Gogol concludes Nevsky Prospect with sad thoughts about the futility of human hopes. Pirogov’s crude vulgarity sharply sets off Piskaryov’s unearthly idealism in this story. In Nevsky Prospect, they are opposed to each other - but in an inconspicuous way and coexist in unity.
This unity of the sublime and the petty, the dramatic and the ridiculous, the vulgar vulgarity and the religious anguish passes through all of Gogol’s work, expressing it in Nevsky Prospect for the first time with vivid relief.
The story "Nevsky Prospect" by Gogol reveals to readers a picture of the life of two men who stroll along the main street of the city and attract the attention of young girls. Two young men - an artist by the name of Piskarev and his comrade, Lieutenant Pirogov carried away by two females, each of whom they consider ideal by their standards. For the painter, who is a kind of subtle and sensual, the image of the seen seventeen-year-old girl seems beautiful and clean. In fact, she works in the most "dirty" place - a brothel.
Despite the fact that Piskarev really understands who the stranger really is, he is trying to find an excuse for her lifestyle. In his subconscious, he does not want to come to terms with what is actually. The girl constantly dreams of him, he raves about the idea of \u200b\u200bmarrying her. Piskarev offers the young lady a marriage proposal, and she simply taunts him. In the end, he commits suicide.
His comrade Pirogov’s situation is simpler - his stranger is married to a German by the name of Schiller. But this does not bother the young man, and he continues to conduct his persistent courtship of the blonde. But one day a German discovers a lieutenant in his house and chases him out in disgrace. In a fit of anger, feeling humiliated and insulted, Pirogov rushes to go to the general and complain about Schiller. But, subsequently, he refuses this idea.
The main idea of \u200b\u200bthe work is a certain contrast, which creates Petersburg. On the one hand, the city is replete and shines with diverse faces, chic clothes, people of different classes and outlooks on life. But, reality is significantly different from human desire and the actual representation of the world. It is difficult for a person with weak willpower and too sensitive to the world around him to adapt to reality. The world seems too cruel for him, reality is unbearable. This character trait is clearly expressed by the writer in the image of the artist Piskarev. The reality of St. Petersburg broke him, and the only way out of this situation for the painter was suicide.
Pirogov, a soulless and cowardly man, turned out to be the direct opposite of his friend. People like him, look at things more realistically, think only about themselves, their well-being. It is important for them how society looks at their social status. Such personalities as Pirogov have no moral principles, they are selfish and actually stupid.
The essence of the story “Nevsky Prospekt” is that the walls of a large, majestic city are by no means friendly for such dreamers and seekers of the pure and beautiful as the artist Piskarev. On the contrary, everything is saturated with cynicism, mercantile spirit and soullessness. Only spoiled, callous and indifferent to the feelings of another person can live here. And such as the artist, in this small world of numerous streets there is no place.
Analysis 2
The main characters of the work are Lieutenant Pirogov and the young artist Piskarev.
The storyline is built on the contrast of two stories, one of which is a real, vulgar story about the life of Lieutenant Pirogov, punished by the Germans as a womanizer, and the second depicts the romantic story of an artist who took his life.
In addition to the characters, the main theme of the work is the St. Petersburg theme, since the writer is not indifferent to the St. Petersburg capital, which, according to the author, is similar to a living giant who has its own characteristics, habits, and moods. The main street of the St. Petersburg capital embodies the integrity of the crowd, where every running person has their own affairs and lives, but it is there that they sometimes intersect, as well as the main characters of the work.
The lieutenant appears as a writer in the image of a hard-core realist who understands the structure of the modern world and life in a big metropolis, where you need to be able to take risks and win the opportunity given by God in the form of fulfilling a secret dream. At the same time, Pirogov suggests the possibility of losing, not counting this tragedy and absurdity. That is why he reaches calm through the cool evening Petersburg avenue.
The second hero of the work also becomes a loser in his life fate, but for him, failure becomes rock, because he is timid and shy, trustingly trusting in the flame of the avenue.
Both heroes are ready to put their own lives at stake, but at the same time the lieutenant perceives the events happening to him as a card game, and the artist does not have the strength to overcome the impossible, because he can not find in himself the traits of rudeness and callousness.
The writer emphasizes the contradictions in the characters' characters by the unobtrusive background of Nevsky Prospect, through which Pirogov’s fate seems comical, and Piskarev’s life carries shades of drama and tragedy. The author demonstrates the coldness and emptiness of the capital's avenue, its deceit, after meeting with which the soul of the artist Piskarev is devastated.
The narrative of the work is based on a parallel image of the life paths of the heroes, contrasting the social and moral spheres, revealing the difference in characters and perceptions of reality, enhancing the plot background description of the main city street.
The essence, meaning and idea of \u200b\u200bthe work
In this work, the writer, using the stories of two people of his time as an example, shows the inside of the world, vulgarity and meaninglessness, which most people prefer not to notice.
In the story that happened to the artist, Gogol pushes two antagonistic characters in everything. The romantically inclined “servant of muses”, belonging to the world of dreams and ideals, is imbued with sympathy for a prostitute. Attempts by the artist Piskarev to guide his beloved on the true path naturally end in failure. The girl does not want to listen to his exhortations about the delights of family life.
The 17-year-old girl is beautiful, which causes the sympathy of the artist, who at the beginning is unknown to her occupation. Her occupation and mundane thinking are not so combined with each other that it breaks Piskarev’s ideas about reality. In this case, Gogol deliberately opposed the literary by the stamp of the previous time, according to which the positive characters are beautiful in everything, and in the negative there is not a single gap. The writer seeks to show reality as it is, without embellishment.
The life of a modern big city is not built on ideals, but on the pursuit of money. A prostitute directly tells the artist that she leads such a life, and does not marry him simply because he has nothing to offer her. As a result, the man of art kills himself. By this, Gogol wanted to show that sublime ideas and everyday life are incompatible. A creative person cannot forever hide from vulgar reality. One day he will have to make a choice: to become like everyone else or leave.
Another hero of the work, Lieutenant Pirogov, does not hide from reality, on the contrary, constantly plunges into it. The life of the capital does not destroy the dreams of an officer, much worse happens to him (in the manuscript, the husband and his friends blasted him, in the published version the matter is limited to hints). However, after the insult inflicted, it is enough for Pirogov to eat a cake, read a newspaper, dance and what happened does not bother him anymore.
The lieutenant is his own in this world described by Gogol. An insult to the honor of an officer, as well as a shameful occupation for a prostitute, for them are just minor misunderstandings. They have no ideals at all, and insults and insults are easily covered by an increased level of consumption. No wonder Gogol emphasizes that the lieutenant was reassured by such a trifle as cakes and praise for a well-performed dance.
On one of the most famous canvases of the Russian artist of the Wanderer A. Savrasov - “Rooks Have Arrived” the beginning of spring is depicted. The landscape was painted from the outskirts of a Russian village in the Kostroma region in 1871.
The main characters of the ballad are a man and his son. The plot of this work was taken from one legend.
Unexpected theme of the essay. Usually, the school year comes, and everyone is expecting something from you. Our teachers have their own curricula, manuals, and they write lessons. Our parents have a common plan for us to become smart and so on.
